신발굴 가집 일본 간사이[關西]대학도서관 소장 『靑邱永言』의 특성과 계보

Abstract

The purpose of this paper is to introduce the newly discovered Sijo collection 『Cheongguyeongeon』 to the academic world and explore its characteristics. 『Cheongguyeongeon』 is currently stored in the Kansai University Library in Japan. This is new material that has not yet been introduced in Korea. In Chapter 2, bibliographic characteristics were considered. 『Cheongguyeongeon』 is a manuscript Sijo collection organized into two books, first and second. It contains 433 sijo poems and 1 Gasa. The first volume contains 234 sijo poems and 1 Gasa, and the second volume contains 199 sijo poems. Among these, the first volume is a copy of the Sijo collection 『Dongaseon(東歌選)』 from the late 18th century. The second volume is a Sijo collection titled “Japga(雜歌)”. Two separate Sijo collection volumes with different editing periods and characteristics were bound and titled “Cheongguyeongeon”. The period when it was edited into its current form was determined to be the first half of the 19th century, paying attention to the musical characteristics of the second volume. In Chapter 3, we looked at the organization and musical characteristics of the Sijo collection. The first volume is organized into a classification system for each piece of music, but Isaacdaeyeop(二數大葉), the central section of the Sijo collection, is divided into works with known authors and works with unknown authors. The section containing works whose authors are revealed is characterized by the addition of many authors who were not seen in the previous Sijo collection. Compared to 『Cheongguyeongeon』(edited by Kim Cheon-taek), the number of works was reduced by half, but the number of authors doubled. The number of authors expanded, focusing on famous people. Yeonsijo was excluded and only 1 to 3 sijo poems were included for each author. This is because the attempt was made to include the works of as many people as possible in the form of an anthology. The second volume's 『Japga』 was entirely composed of musical compositions. It contains the characteristics of Gagok in the first half of the 19th century, when the music was differentiated and the list of Gagok's music was formed. The differentiation of Ujo(羽調) and Gyemyeonjo(界面調) and derivative songs of the ‘Nak(樂)’ series are confirmed. When binding different Sijo collections together, the works tend to overlap, but it is noteworthy that the works included in the second volume do not overlap by even a single number with The first volume 『Dongaseon』. This is the result of being conscious of 『Dongaseon』 when selecting the works included in the second volume. In Chapter 4, the relationship between this version and the Gyujanggak version 『Dongaseon』 was examined. As a result of the discussion, it was revealed that the Kansai University version is the original version of the Kyujanggak version. The Kyujanggak version is a Sijo collection that is in its current form by copying 『Dongaseon』, the first volume of 『Cheongguyeongeon』(Kansai University version), and adding some works of second volume at the end. It was re-edited by carefully analyzing the works included in the Kansai University version, correcting errors, and adding and subtracting some of the authors and works. In the Kyujanggak version, the subject terms added to the end of individual works are newly given to this process. Accordingly, it was revealed that 『Dongaseon』 was not a thematic Sijo collection in the first place. Accordingly, the view of generalizing 『Dongaseon』 as a thematic classification Sijo collection should be reconsidered. 『Donggaseon』 as a thematic classification Sijo collection should be limited to the Kyujanggak version.