주체표현 연기에 관한 연구

Abstract

This essay studied the acting of subject-constitution emerged from postdramatic theatre. The acting of subject-constitution is for actors not to represent false role but to present subject-I by themselves. Recently these kinds of performance are performed on the stage in the field of theatre and dance both domestic and international. Then, why does the cultural phenomenon happen these days? The theme of contemporary performing art is the refusal of representation. Representation in classical theatre has contributed in making some social values by bringing out repetition of mimesis lives while it was traditionally to prove theatricality. Therefore, the refusal of representation begins with doubt and distrust of value being formed through repetition. The subject of a performer itself which have been hidden behind the role is coming on the surface. Standing on the stage as a performer itself is denying the traditional acting skills. The performance becomes reality not virtual reality through that denial. The choice of reality, renounced the virtual reality, is the result of trying to change a one's real life through theatre. This has been experimented by historical avantgarde since Nicolaj Evreinov mentioned new discourse about theatricality in the early 20th century. The acting of subject constitution is that identity performers are rebuilt in the process of acting on the stage. The acting is self representation of self-narrating and action through narration. Hence anyone can be an performer on a stage and the range of theatre is extended because of this. Therefore, this essay will explore the possibility of self presentation by studying the acting of subject constiturion.