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17세기 여배우 및 여성 작가의 등장으로 바라본 젠더 패러다임과 시각적 헤게모니의 변화

The Changes of Gender Paradigm and Visual Hegemony With the Emergence of Female Actresses and Writers in the 17th Century

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The 16th and 17th centuries were a period of cultural and political radical change and female actors and writers began to emerge in front of society in this convulsion. Moreover, as time went by, not only female actors but also female playwrights, female managers, and supporters began to appear, shaking the root of male-centered art world. In particular, the development of typography has given women writers the opportunity to publish their own books and hear their own voices.

Abstract

The 16th and 17th centuries were a period of cultural and political radical change and female actors and writers began to emerge in front of society in this convulsion. Moreover, as time went by, not only female actors but also female playwrights, female managers, and supporters began to appear, shaking the root of male-centered art world. In particular, the development of typography has given women writers the opportunity to publish their own books and hear their own voices.

참고문헌 (18)

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  3. 윤주옥, "중세 여성의 문자 생활 -영국의 마리 드 프랑스의 브레톤 레이를 중심으로", 외국문학연구, (48), pp.183~210 (2012), 외국문학연구소
  4. 한영림, "셰익스피어 공연무대사: 글로브 극장에서 글로벌 극장으로" (2007), 동인
  5. Bush-Bailey, Gilly, "Treading the Bawds: Actresses and Playwrights on the Late Stuart Stage" (2006), Manchester UP
  6. Donkin, Ellen, "Getting into the Act: Women Playwrights in London 1776–1829" (1994), Routledge
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  8. González, Raquel Serrano, "How to Represent Female Identity on The Restoration Stage: Actresses (Self) Fashioning", Interdisciplinary Political and Cultural Journal, 16(1), pp.97~110 (2012)
  9. Gurr, Andrew, "The Shakespearean stage 1574–1642" (2009), Cambridge UP
  10. Hackett, Helen, "A Short History of English Renaissance Drama" (2013), I.B. Tauris
  11. Hillebrand, Harold Newcomb, "The Child Actors: A Chapter in Elizabethan Stage History" (1964), Russell & Russel
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  13. North, Marcy L, "The Cambridge Companion to Early Modern Women's Writing", pp.68~82 (2009), Cambridge UP
  14. Orgel, Stephen, "Impersonations: The Performance of Gender in Shakespeare's England" (1996), Cambridge UP
  15. Pearson, Jacqueline, "The Prostituted Muse: Image of Women & Women Dramatists 1642–1737" (1988), Harvester, Wheatsheaf
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  18. Williams Gary Jay, "Theater Histories: An Introduction" (2006), Routledge

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