京都八景詩의 창작과 한양 도성의 형상화 - 李德壽, 吳光運, 洪世泰의 詩를 중심으로 -

Abstract

This study examines the poems themed on Hanyang City Wall by Lee Duksu, Lee Gwangwoon, and Hong Saetae. Before the creation of [Seongsijeongdo Poem], which is the completed form of poem on Hanyang City Wall, the landscapes of Hanyang were described in the forms of landscape poems and the poems by themed on Hanyang City Wall by Lee Duksu, Lee Gwangwoon, and Hong Saetae were part of them. The poems themed on 8 landscapes of Hanyang City Wall were created starting from the early Joseon Dynasty and the forms repeatedly changed from the 6 Character-6 Line Style à Wushan Yiduanyun Style à 7 Character Style Chinese Verse. While theme of 8 landscapes changed once in the middle of Joseon Dynasty, the landscapes described in the poems by Lee Duksu, Lee Gwangwoon, and Hong Saetae were the same as the landscapes described in [Sindopalgyeong Peom] by Jeong Dojeon. As the style of poem changed to the format of 7 character style Chinese verse, the more landscapes of Hanyang City Wall landscapes could be described in the poems. Especially, the poems by Lee Duksu, Lee Gwangwoon, and Hong Saetae submitted to the monthly test (月課) in 1724 described 8 landscapes of Hanyang City Wall in details and depicted the true worth and difference of the Hanyang City Wall that each poet tried to express. The poems by Lee Duksu, Lee Gwangwoon, and Hong Saetae were written and submitted for the monthly test by succeeding to the tradition and characteristics of landscape poems created starting from early Joseon Dynasty. In addition, the poems had a huge impact on creation of [Sungsijeondo Poem] which figured the landscape of Hanyang during the late Joseon Dynasty in 18th century during years of King Jeongjo. Considering such points, the poems themed on Hanyang City Wall by Lee Duksu, Lee Gwangwoon, and Hong Saetae hold significant value on the poems themed on Hanyang City Wall during late Joseon Dynasty.