조선후기 시화집 『양파담원』의 구성과 의미

Abstract

This paper is aimed at the general secretary of Shi-hwa in the late Joseon Dynasty, 『YangPa-damwon』, and examines the overall aspect of the work and the significance of its history. 『Yangpa-damwon』 was compiled by Im-ryum in 1824, and showed strong determination to succeed Hong Man-jong’s 『Shihwa-Chonglim』. The fact that the list of actual works is based mostly on the 『Shihwa-Chonglim』’s book, and that the legend section is almost similar to that of the 『Shihwa-Chonglim』’s book. However, Im-ryum wanted to update its composition with eight books, and to be more perfect by adding an additional copy of his work, known as 『Seomchun-Manrok』, to supplement various materials in the insufficient parts. It can be seen that the data added actively included not only poetry but also anecdotes and stories, while the vast data of 『Sohwa-Shipyeong』 or 『Cheongbi-rok』 were included without any changes in the wording. In particular, he intended to make up for his lack by actively drawing stories of poems and materials from the Goryeo Dynasty, which were not included in the 『Yangpa-damwon』. Such attempts by Im-ryum are understood in the fashion of the compilation of the poetry books of the nineteenth century, but on the one hand they have three meanings: First, Im-ryum was the family of the Poongcheon Im’s family, which was the basis for the Man-rok writing, which was written by his grandfather and grandfather, and continued the characteristics of the family writing. Second, it is not just a warrior but a supplement to and modify the Sihwa General Assembly of the late Joseon Dynasty. Third, I have inherited Hong Man-jong’s intention to emphasize that our writers are not inferior to Chinese poets, while trying to establish a self-reliant critical consciousness, such as 『Shihwa-Chonglim』.