『慵齋叢話』시화의 『詩話叢林』 수용 양상 연구

Abstract

This analysis aimed to examine a specific aspect of how the articles on Sihwa in the 『Yongjaechonghwa』a were incorporated into 『Sihwachonglim』. In the 『Yongjaechonghwa』, there were 72 articles on Sihwa, among which 36 articles were included to 『Sihwachonglim』. Some of the remaining articles also contained references to Sihwa, so it was necessary to analyze their contents. Therefore, I compared two texts, focusing on similarities and differences. Based on this analysis, I considered variations in patterns, the artist's perception, and record consciousness of Sihwa. First, when analyzing the 36 articles that were included in the 『Sihwachonglim』, I noticed that Sihwa and anecdotes were partially omitted from the original content. These omissions often occurred in lengthy anecdotes, especially personal anecdotes that deviated from the nature of Sihwa or subjective character descriptions and evaluations by Seong Hyun. Some works were partially excluded because they deviated from the theme of Sihwa. This indicates that the 『Sihwachonglim』 was not merely intended to collect poetry and Sihwa, but rather to gather content that aligned with the compiler's specific plan and vision. In analyzing the articles that were not included in the 『Sihwachonglim』, I observed that they lacked a certain level of poetic quality or had insufficient anecdotal elements. Furthermore, I confirmed that even if an article focused on poetry, it would be excluded entirely if the literary completeness of the work itself was lacking. The prerequisite for recording the Sihwa that Hong Man-jong desired was a work of literary completeness, and when this criterion was met, narratives with anecdotes and reviews became meaningful. I also verified that the actual compilation process was based on the belief that only Sihwa that met certain standards was worthy of preservation for future generations.