道家美学思想在中国古代陶瓷作品中的体现研究

Abstract

In this paper, Chinese ancient ceramics works are the main study objects. Taoist aesthetics of Chinese traditional aesthetics is the research perspective. It summarizes Taoist aesthetics, and analyzes some related Chinese works of ancient ceramics according to the classic and traditional Taoist aesthetics. To provide further theoretical reference for the aesthetic study of Chinese ancient ceramics works. Taoist aesthetics that is based on the philosophy of traditional Taoist thoughts and Chinese ancient ceramics works are both originated in ancient China. At the same time, they are both the most important parts of Chinese traditional culture. They are mixed together in the Chinese traditional culture, which has a long history. There are two main parts of the study on the thoughts of Taoist and the aesthetics, which is expressed by Chinese ancient ceramics. First, the study on the philosophical theory of Taoist Aesthetics. Second, the study on the Taoist Aesthetics that is expressed through the Shape, color, decoration, material and technology of some Chinese ancient ceramics works. At the same time, there are mainly four parts, on which the thoughts of Taoist Aesthetics is expressed by the Chinese ancient ceramics works. First, the thoughts of Taoist Aesthetics that "Tao models itself after nature", which is expressed in Chinese ancient ceramics works. Second, the thoughts of Taoist Aesthetics that "Man is an integral part of nature", which is expressed in Chinese ancient ceramics works. Third, the thoughts of Taoist Aesthetics that "To have little is to have more", which is expressed in Chinese ancient ceramics works. Fourth, the thoughts of Taoist Aesthetics that "Plain is the most beautiful thing in the world", which is expressed in Chinese ancient ceramics works.