大道本一：中国道家哲学精神与中国油画创作思维关系分析
Dao as One: An Analysis of the Relationship Between Daoist Philosophy and Creative Thinking in Chinese Oil Painting
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东方绘画之基础在东方哲学，道家哲学精神是中国油画创作本源之一。本文以“大道本一”为核心理念，首先阐述了“大道本一”的哲学内涵，即“守一，乃能通神”、“合一”则“万物与我为一”、“知一，则应物变化。”，然后从“守一”到创作主体精神之“虚静”、“合一”到创作主体精神之“移情”、“知一”到创作技艺之“无法而法”三个方面阐述了“大道本一”与中国油画创作之间的关系。结论指出，“大道本一”作为中国油画创作思维的本源，遵循“守一、合一、知一”原则，达到“通神、万物与我为一、应物变化”的精神高度，则可在中国油画创作中体现“虚静、移情、无法而法”之境。中国哲学蕴含其中的艺术哲理揭示着诸多审美意识和艺术创作规律，中国油画的发展必然要汲取中国传统文化精神内涵，只有如此，中国油画才能独具风貌而立足世界艺术之林。
Abstract
The foundation of Eastern painting lies in Eastern philosophy, and Daoist thought is one of the key sources of Chinese oil painting. This paper takes the idea of “Dao as One” as its central concept. First, it explains its philosophical meaning: “maintaining oneness to reach spiritual clarity,” “uniting as one so that all things and the self are connected,” and “understanding oneness to respond to changes.” It then discusses the relationship between “Dao as One” and Chinese oil painting from three aspects: from “maintaining oneness” to the creator’s state of calm emptiness; from “uniting as one” to the creator’s capacity for empathy or identification; and from “understanding oneness” to the technique of following no fixed method. The conclusion points out that “Dao as One” serves as a fundamental mode of thinking in Chinese oil painting. By following the principles of “maintaining oneness, uniting as one, and understanding oneness,” artists can reach a level of “spiritual clarity, unity with all things, and responsiveness to change,” which can be expressed in painting through the states of calm emptiness, empathy, and method without fixed form. The artistic ideas within Chinese philosophy reveal many aesthetic insights and principles of artistic creation. The development of Chinese oil painting must draw on the cultural and spiritual resources of Chinese tradition; only in this way can it form a distinctive style and gain a firm place in the global art field.