中国宋代陶瓷雕塑研究

Abstract

This article takes the Song Dynasty ceramic sculpture as the research object and the Chinese traditional aesthetic thought as the research perspective.The Song dynasty was an era of humiliation.Taking the article as advocating, from high level to the grassroots level, a cultural and social group with an overall literacy of more than the former and the latter was born.The ceramic sculptures of the Song Dynasty were natural, simple and natural. They used simple artistic techniques to express the wonderful cultural connotations of the times, and at the same time, they had strong and distinctive modeling characteristics of releasing "muddy."The large number of small ceramic sculptures, auxiliary utensils, and religious figures in the porcelain of Song Dynasty have their own characteristics.From these ceramic sculpture works, we can see the influence of Chinese traditional cultural thoughts on it.It is in conformity with the pursuit of advocacy, nature, and simplicity in the traditional cultural thoughts, and further forms the Song Dynasty traditional aesthetic ideas with vivid rhyme, natural beauty, and simplicity.This occupies an important position in the ancient Chinese aesthetic ideology system and has a profound influence on the formation of the Chinese Song Dynasty ceramic shapes and even the development of modern Chinese ceramic art.Chinese modern ceramic art inherits the essence of traditional porcelain, pays attention to the expression of traditional culture, actively explores different forms of expression, and reflects a distinct cultural spirit of the times.The thesis analyzes and studies the artistic expression techniques and cultural thoughts of the Song Dynasty ceramic sculptures. Taking modern ceramic art works as an example, the traditional craftsmanship techniques and traditional ideas embodied in modern ceramic arts are studied. Then further discussed the value of traditional culture, aesthetic orientation and broad space for development.