儒家美学思想在朝鲜白瓷作品中的体现研究

Abstract

In this paper, white porcelain works of Korea Dynasty are the main study objects. The famous Confucian aesthetic thought in oriental traditional aesthetic thought is the research perspective. It summarizes Confucian aesthetic thought and Korean white porcelain, and then analyzes some related excellent white porcelain works of Korea Dynasty according to the classic Confucian aesthetic thought. To provide further theoretical reference for the aesthetic study of white porcelain works of Korea Dynasty, and it is benefit to the further innovation and development of Korean ceramic art. Korean white porcelain is a direct embodiment of the Confucian aesthetic thought in the creation and design of objects. There are three main parts of the study on the thought of Confucian Esthetics, which is expressed by the works of Korean white porcelain. First, the study on the dissemination and development history and the connotation of Confucian aesthetic thought. Second, the study on the origin and development history and characteristic of Korean white porcelain. Third, the study on the Confucian aesthetic thought that is expressed through the shape, decoration and color of some Korean white porcelain works. At the same time, there are mainly three parts, on which the thought of Confucian aesthetic is expressed by the Korean white porcelain works. First,“To reach the acme of perfection”. In Korean white porcelain works, they express as the inheritance and promotion of eastern political education, traditional culture and noble character. Second,“Beauty of neutralization”. In Korean white porcelain works, they perform as simple and clear modeling, quiet and peaceful colour, succinct and chaste decoration. Third,“Man is an integral part of nature”. In Korean white porcelain works, they exist in the way of creation by using natural things as themes, in which there are specific meanings, making metaphors of things like people, and taking advantage of a scene to express one’s emotion.