향악정재 <아박무(牙拍舞)>의 변천양상

Abstract

This study added and supplemented the changes in the period and dance procedures of "Abakmu" recorded in the Transition of Hyangakjeongjae in the Joseon Dynasty, which was already published. To carry out the purpose of the study, the changes and procedures of 『Goryeosa·Akji』 which were passed down from Goryeo, 『Ak-Hak-Gue-Bom(Illustrated Text on Traditional Music)』recorded by Seongjongdae in the early Joseon Dynasty,『Ak-Hak-Gue-Bom-Hol-Ki』『Uigwe』and 『Jung-Sa-Mu-Do-Hol-Ki』by King Gojong, were identified. her events, poems containing dance procedures and dance appreciation cannot be found, so it is not known exactly. It is believed that it was enshrined in the privatThere is a record of "Abakmu" in 『Gyobanggayo』, where Jeongjae, who was associated with the private sector, is associated, but unlike ote sector as the procedure and content of "Abakmu" enshrined in the royal court. As a literature study of Hyangakjeongjae "Abakmu", this study attempted to clarify the changes of each era by dividing the records of each literature by period and classifying the music and dance procedures and forms used in each period into tables. The study on the changes of the times in each event of the royal court can be said to be a basic study to expand to follow-up studies on the overall royal court. The study on the changes and patterns of the times of "Abakmu" reveals the current meaning of the transmission of royal court and furthermore, it is the starting point of the study that looks at the creative future of Korean traditional art.