조선 초기 정재춤사위의 기록양상

Abstract

This study is intended to lay a theoretical foundation for jeongjae dance performance. The detailed annotations(細註) in Akhakguebeom were examined to find out about the dance movements in question. The results are as follows. There are 30 kinds of dance movements recorded in the detailed annotations in Akhakguebeom, which are termed gwangsu, gwangsumu, gwangsuhwanjangmu, guangyeom, geumjeonrakmu, geumcheokmu, nongumu, doyakmu, mureupdipimu, balbaditmu, balbaditjakdaemu, sasumu, suborokmu, jiseonmu, suyangsumu, suyangsumureupdipimu, suyangsuobangmu, oyangseonmu, inmu, yipmu, jeolhwamu, jeongeupmu, cheomyeom, chilmu, toesumu, pajamu, palsumu, hy대psumu, hongjeongdodommu and hwanjangmu. The terminology was classified based on jeongjae kinds, bodily movements, figurative and symbolical expressions, quotation of music titles and explanation of dance progression. The dance movements of jeongjae recorded in the detailed annotations are used repeatedly both in the dangakjeongjae and hyangakjeongjae. Some jargons are found only in a few particular jeongjaes. The dance movements of jeongjae are mostly recorded in the progression part, but some particular jargons are found only in the introduction and conclusion. This study is intended to lay a theoretical foundation for Jungjae performance. The detailed annotations(細註) in akhakguebum were examined to find out about the dance movements in question. The results are as follows.