김상옥 시조의 미적 형상화

Abstract

The purpose of this Writing is to explore Sang-ok Kim's unique and unprecedented formal aesthetics and to study his perception of Sijo and the diversity of formal experiments. The purpose of this study is to consider how to create a new poetry creation plan that sympathizes with the flow of the times without compromising the stylistic conditions of Sijo. The experiments of Sijo Kim's Sijo type experiments had a small number of unexplained parts, which were not explained in the conventional Sijo grammar. Controversy remains over the degree to which freedom of eponymous form can be tolerated through formal experimentation of coordination of his standards and intentions. The study of Chojeong was born in the colonial era of Japan in the 1920s and was accompanied by the importance of a rare poet who was active in modern and modern history with the recommendation of Lee Byung-ki. The consciousness of the formal experiment that Chojung used for the modernization of Sijo, despite the innovation of the attempt itself, has been evaluated with concerns. His experimental consciousness, which originated from recognizing ‘Jang’ as ‘Row’, extends to the point that blurs the lines between formal and free poetry. The evaluations condensed into ‘relaxation’, ‘disruption’, and ‘deviation’ surrounding Chojung Sijo’s form are recognized as the intention to overcome the formal limitations of Sijo’s ‘Jang’, showing a new trend of rejecting the traditional Sijo’s form. It is also done. Chojung’s formal experiment seems to be a meaningful opportunity for the critical review of the Sijo format, which began from the discussion of one-line or two-line Sijo, Ot-Sijo, and Saseol-Sijo.