자기 형상으로서의 「날개」와 자기배려

Abstract

Lee Sang's “Wings” has been interpreted in various ways. Nevertheless, this work awaits another interpretation. This paper attempts to interpret this work ‘once again’. A new reading is a necessary condition for all papers. This paper puts different measures of significance on its novelty. It lies in the novelty of the reading method rather than the novelty of the content to be read. The new research method is ultimately aimed at better understanding its contents. It is a kind of research technique, and may be just a function of the method. However, this paper sets dispositifs as a method and tries to overcome the conditions of such method. The dispositifs as a method is itself involved in the production of meaning. So the dispositifs goes beyond the method as the application of the theory. The dispositifs is a machine for the production of meaning. This paper attempts to interpret “Wings” through the dispositifs of intelligence and fiction. Through them, let us examine the self-interpretation and self-awareness contained in the narrative discussion. The ‘I’ in “Wings” forms itself through the process of subjectivization. This is what Foucault calls self-care. This study pays attention to the dispositifs of intelligence and fiction that led to such a thesis. And in conclusion, this study derives their productive action patterns. The meaning of ‘wings’ or ‘flying’ is unfolded by the dispositifs. The fictional dispositifs cuts off the origin of the reproduced meaning and creates infinite folds of meaning. The dispositifs of the intelligence is an infinite movement of meaning and brings extreme fixation to the flow. The meaning of “Wings” is realized by realizing itself thanks to the action of the dispositifs.