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재봉사의 삶을 중심으로 살펴본 「프릴」의 자연주의

Naturalism in “The Frill” Focused on Native Tailor’s Life

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This paper aims to examine Pearl S. Buck’s Naturalism in “The Frill”. The spirit of naturalism began to creep into French literature with Balzac’s “Preface” to Comedie Humaine, and the first “scientific naturalism” was Zola’s “Experimental Novel”, in which the author appears as a laboratory scientist who studies the reactions of his characters to their heredity and social environment. In “The Frill”, the native tailor finds himself ensnared in a predetermined life. He has to grapple with various harsh circumstances such as poverty, mockery, suppression, injustice, and condemnation. His individual identity or even being as a human being is not important because he becomes merely an instrument for those who exploit, dominate, and discard him like Mrs. Lowe. Readers are unable to anticipate that his situation will change or improve. Instead, his sorrowful daily lives are described in detail, allowing readers to closely observe both his external realities and internal psychology. Due to these aspects of the novel, it can be argued that Pearl Buck’s writing styles or authorial intentions in “The Frill” were influenced by naturalism despite her early life spent in China.

Abstract

This paper aims to examine Pearl S. Buck’s Naturalism in “The Frill”. The spirit of naturalism began to creep into French literature with Balzac’s “Preface” to Comedie Humaine, and the first “scientific naturalism” was Zola’s “Experimental Novel”, in which the author appears as a laboratory scientist who studies the reactions of his characters to their heredity and social environment. In “The Frill”, the native tailor finds himself ensnared in a predetermined life. He has to grapple with various harsh circumstances such as poverty, mockery, suppression, injustice, and condemnation. His individual identity or even being as a human being is not important because he becomes merely an instrument for those who exploit, dominate, and discard him like Mrs. Lowe. Readers are unable to anticipate that his situation will change or improve. Instead, his sorrowful daily lives are described in detail, allowing readers to closely observe both his external realities and internal psychology. Due to these aspects of the novel, it can be argued that Pearl Buck’s writing styles or authorial intentions in “The Frill” were influenced by naturalism despite her early life spent in China.

참고문헌 (14)

  1. Buck, Pearl, "New York: The Macmillan Company, 1968: 158-169" (1933), Harold Ober Associates, Inc
  2. Buck, Pearl, "The Good Earth" (1931), Pocket Books
  3. Buck, Pearl, "The Exile" (1936), John Day Company
  4. Buck, Pearl, "My Several Worlds : A Personal Record" (1954), John Day Company
  5. Cargill, Oscar, "Intellectual America : Ideas on the March" (1941), The Macmillan Company
  6. Conn, Peter, "Pearl S. Buck: A Cultural Biography" (1996), Cambridge University Press
  7. Conn, Peter, "Pearl S. Buck’s The Good Earth", pp.xi~xxx (1994), Pocket Books
  8. Cowley Malcolm, "Exile’s Return, A Literary Saga of the Nineteen-Twenties" (1962), The Viking Press
  9. Horton, Rod W. Hopper, "Backgrounds of European Literature: The Political, Social, and Intellectual Development behind the Great Books of Western Civilization" (1978), Prentice-Hall Inc
  10. Lipscomb, Elizabeth, "The Several Worlds of Pearl Buck", Essays Presented at a Centennial Symposium. Randolph-Macon Woman’s College (1992), Greenwood Press
  11. Sanders, Andrew, "The Short Oxford History of English Literature" (1994), Oxford UP
  12. Skine, Peter N., "Naturalism" (1970), Methuen & Co. Ltd
  13. Vogel, Stonley M., "An Outline of American Literature Volume II – From the Civil War to the Present Day" (1961), Student Outline Company
  14. Yao, Junwei, "Pearl Buck’s Lifelong Pursuit of Intercultural Understanding", 2018 Bucheon Pearl Buck’s International Symposium, 145, pp.145~155 (2018)

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