본문 바로가기
KERD
논문KCI 등재

훠루그 화로크저드 시에 나타난 시어의 특징

A Special character of the poetic language in Forugh Farrokhzad's poems

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

초록

This study aims to analyze the special character of the poetic language and cognitive meaning in Forugh Farrokhzad's poems. Forugh Farrokhzad showed new horizon of Iranian modern poetry by her new poetic words and their aesthetic effects. She exerted herself to express the diffculties of real life by her own words. There are 129 poems in all in five volumes of her poetries. They are divided into two periods. The first period is 『The Captive』, 『The Wall』, 『The Rebellion』and the second period is『Another Birth』, 『Let us Believe in the Beginning of the Cold Season』. In order to understand of her poetic world, this study is to search the frequency of their words through all of her poetries. These are as follows : ‘night and darkness’, ‘love’, ‘heart’, ‘kiss’, ‘hug’, ‘hope’, ‘shelf of bird and prison’, ‘eagerness’, ‘guilt’, ‘grave and death’, ‘god’, ‘hand’, ‘star’, ‘regret’, ‘window’, ‘moment’ used during two periods. They are easy and simple so her poetry was composed of denotative and connotative meaning in harmony. Euphony and imagery can not be separated in the poetic composition. The poems are frank, intense, and straightforward representations of very personal experiences, conflicts, and dilemmas couched in everyday images and vocabulary. Such poems were almost unprecedented in Persian in their autobiographical candor. Therefore her poetic language leads us to make perception as well as sensation. With these characteristics of poetic word, her poetry achieved three effects : 1. Application of words easier and simpler than ordinary words in Iranian old poems using. 2. The gradation of standard languages into literary languages. 3. The expression of feminine consciousness and femininity. Here it is for the reason that Forugh Farrokhzad is the best female poet and one of the most leading poets in the history of Iranian literature

Abstract

This study aims to analyze the special character of the poetic language and cognitive meaning in Forugh Farrokhzad's poems. Forugh Farrokhzad showed new horizon of Iranian modern poetry by her new poetic words and their aesthetic effects. She exerted herself to express the diffculties of real life by her own words. There are 129 poems in all in five volumes of her poetries. They are divided into two periods. The first period is 『The Captive』, 『The Wall』, 『The Rebellion』and the second period is『Another Birth』, 『Let us Believe in the Beginning of the Cold Season』. In order to understand of her poetic world, this study is to search the frequency of their words through all of her poetries. These are as follows : ‘night and darkness’, ‘love’, ‘heart’, ‘kiss’, ‘hug’, ‘hope’, ‘shelf of bird and prison’, ‘eagerness’, ‘guilt’, ‘grave and death’, ‘god’, ‘hand’, ‘star’, ‘regret’, ‘window’, ‘moment’ used during two periods. They are easy and simple so her poetry was composed of denotative and connotative meaning in harmony. Euphony and imagery can not be separated in the poetic composition. The poems are frank, intense, and straightforward representations of very personal experiences, conflicts, and dilemmas couched in everyday images and vocabulary. Such poems were almost unprecedented in Persian in their autobiographical candor. Therefore her poetic language leads us to make perception as well as sensation. With these characteristics of poetic word, her poetry achieved three effects : 1. Application of words easier and simpler than ordinary words in Iranian old poems using. 2. The gradation of standard languages into literary languages. 3. The expression of feminine consciousness and femininity. Here it is for the reason that Forugh Farrokhzad is the best female poet and one of the most leading poets in the history of Iranian literature

참고문헌 (31)

  1. 김동호, "바람이 우리를 데려다 주리라" (2003), 큰 사람
  2. 김명인, "시어의 풍경" (2000), 한국현대시사론
  3. 김민수 외, "국어대사전" (1995), 금성출판사
  4. 김영연 외, "중동여성문학의 이해 2" (2006), 한울아카데미
  5. 이어령 외, "한국문화 상징사전", 동아출판사, ~ (1992)
  6. 제인 프리드먼,이박혜경 역, "페미니즘" (2002)
  7. 김삼순, "김현승 시에 나타난 어휘연구", 석사, 교육대학원, pp.1995
  8. 김춘식, "미적 근대성과 근대적 시어 — 밤, 어둠의 이미지를 중심으로 —", 한국사상과 문화, 28(28), pp.87~112 (2005), 한국사상문화학회
  9. 여태천, "정지용 시어의 특성과 의미", 한국언어문학, 56(56), pp.247~274 (2006), 한국언어문학회
  10. 오대교, "한국 현대시의 색채어 연구", 석사, pp.1984
  11. 윤재근, "詩語에 관한 美學的 考察", 예술논문집, 12, pp.29~61 (1973)
  12. 장도준, "詩語의 特徵과 世界 認識 방법", 韓國傳統文化硏究, 9, pp.27~60 (1994)
  13. 무카르좁스키, 얀, "시어란 무엇인가", 현대시, 3(8), pp.56~73 (1992)
  14. 최병준, "현대시어의 또 한 단면", 논문, 18, pp.113~133 (1988), 강남사회복지대학
  15. 홍문표, "시어의 구조적 인식", 명지어문학, 23, pp.101~129 (1996), 명지대학교
  16. 홍문표, "시어에 관한 연구", 명지논문집, 16, pp.9~57 (1985), 명지대학교
  17. Farrokhzad Forugh, "Tavalodi Digar, Tehran, Eetesharat-eMorvarid. Farrokhzad Forugh(1991). Gozineh-e Ash'ar Forugh Farrokhzad", ~ (1981)
  18. Farrokhzad Puran, "Kasi ke mel-e Hich Kas Nist dar bare-ye Forugh Farrokhzad" (2001), Entesharat-e Karvan
  19. Hillmann Michael, "A Lonely Woman: Forugh Forrokhzad & her Poetry", Lynne Rienner Publishers
  20. Hoghughi, Mohammad, "She'r-e Zaman-e Ma", Mo'sese-ye Entesharat-e Negah
  21. Jalali Behruz, "Divan Asha'ar Forugh Farrokhzad", Eetesharat-e Morvarid
  22. Khalife Banaravan Bahman, "Divan-e Forugh Farrokhzad", Entesharat-e Talayi
  23. Meh Abadi, "Seda-ye She're Emruz, Entesharat-e Talash", ~
  24. Salami, "Modern Persian Poetry Forugh Farrokhzad Another Birth" (2000), Zabankadeg Publications
  25. Shakiba Parvin, "She'r-e Farsi az Aghaz ta Emruz", Entesharat-e Hirman
  26. Shapur Kamyar, "Avvalin Tapeshhaya 'ashqane-ye qalbam", Eetesharat-e Morvarid
  27. Sufi Leila, "Zendeginame-ye Sha'eran-e Iran", Entesharat-e Jajrami
  28. "http:", ~
  29. "Forugh Yek Zandegi", ~
  30. "She'r va Seda ye Sha'er Forugh Farrokhzad", ~
  31. "Forugh Farrokhzad az Entesharat-e Shadan", ~

관련 논문AI추천

이 간행물의 다른 논문 (10건)