서정주 초기시에 나타나는 감금의 공간 메타포 연구
Study on Spatial Metaphor of imprisonment in the Early Poems of Jung-Joo Seo
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
This study is for recognizing through Hrushovski's the frame of reference the extension and renewal of poet, Midang Seo jung Joo's view with the newly created meaning by considering the spatial metaphor of imprisonment appeared at his earlier time. At that time, the imprisonment space was constructed the metaphor on the level of parallel and horizontal. In the chapter 2, it becomes a horizontal metaphor of imprisonment. It give the shape the horizontal block by constructing of metaphor which variously changed into heterogeneous level as shown in his works such as the firmly crystallized Byuck(wall) and Moondungi(Leper). This process in which reveals clearly both the extension and renewal of Poet's view appreciates to the interaction between uneven frames of reference. In the chapter 3, it goes to a parallel of the sinking in water. The actual levels of position in his works such as Bada(Sea) and Muse(Untitled) put side by side with the idealized position(Being), and through the interacting each other these frames of reference do not make a rise up to the direction towards parallel rather unite the meanings for sinking. Thus the position of imprisonment showing at the his earlier time is blending the horizontal block with the parallel sinking, and constructs a secret room fully covered with darkness. These space changes into idealized position in the real world as well. As you see, the position-metaphor of imprisonment appeared at his earlier time characterizes the extention and renewal of his complicated view by creating new poetic meanings several times.
Abstract
This study is for recognizing through Hrushovski's the frame of reference the extension and renewal of poet, Midang Seo jung Joo's view with the newly created meaning by considering the spatial metaphor of imprisonment appeared at his earlier time. At that time, the imprisonment space was constructed the metaphor on the level of parallel and horizontal. In the chapter 2, it becomes a horizontal metaphor of imprisonment. It give the shape the horizontal block by constructing of metaphor which variously changed into heterogeneous level as shown in his works such as the firmly crystallized Byuck(wall) and Moondungi(Leper). This process in which reveals clearly both the extension and renewal of Poet's view appreciates to the interaction between uneven frames of reference. In the chapter 3, it goes to a parallel of the sinking in water. The actual levels of position in his works such as Bada(Sea) and Muse(Untitled) put side by side with the idealized position(Being), and through the interacting each other these frames of reference do not make a rise up to the direction towards parallel rather unite the meanings for sinking. Thus the position of imprisonment showing at the his earlier time is blending the horizontal block with the parallel sinking, and constructs a secret room fully covered with darkness. These space changes into idealized position in the real world as well. As you see, the position-metaphor of imprisonment appeared at his earlier time characterizes the extention and renewal of his complicated view by creating new poetic meanings several times.
참고문헌 (30)
- 김옥순, "은유 구조론-이상의 작품을 모형으로", 박사, pp.1989
- 김옥순, "서정주 시에 나타난 우주적 신비체험-화사집과 질마재 신화의 공간 구조를 중심으로", 梨花語文論集, 12, pp.229~263 (1992)
- 김은자, "‘壁’과 ‘子正’의 현실인식-"花蛇集"과"날개"를 중심으로, 현대시의 공간과 구조" (1988), 문학과비평사
- 김재홍, "한국 현대시 은유형태 분석론, 시론" (1996), 현대문학
- 김현자, "서정주 시의 은유와 환유, 은유와 환유" (1999), 문학과지성사
- 김화영, "한국인의 미의식-서정주의 시의 공간, 미당연구" (1994), 민음사
- 남진우, "남녀 양성의 신화, 미당연구" (1994), 민음사
- 박선영, "서정주의 초기시에 나타나는 관능과 소진의 공간 메타포 연구", 우리어문연구, 30(30), pp.173~202 (2008), 우리어문학회
- 서정주, "미당 시전집 1" (1994), 민음사
- 엄경희, "未堂과 木月의 시적 상상력" (2003), 보고사
- 엄경희, "은유의 이론과 본질", 숭실어문, 19, pp.211~231 (2003)
- 유지현, "서정주 시의 공간 상상력 연구", 박사, pp.1997
- 이경수, "서정주 초기시의 구성 원리, 한국문학과 심리주의" (2001), 국학자료원
- 이승훈, "서정주 초기시에 나타난 미적 특성, 미당연구" (1994), 민음사
- 이어령, "피의 해체와 변형 과정-서정주의 <자화상>, 詩 다시 읽기" (1995), 문학사상사
- 임재서, "서정주 시의 은유고찰-동천을 중심으로", 문학사와비평, 4, pp.299~316 (1997)
- 차봉희, "수용미학" (1995), 문학과지성사
- Aristoteles, "詩學" (1998), 문예출판사
- Bataille,Georges, "에로티즘" (2000), 민음사
- Beardsley,M.C., "The Metaphorical Twist", Philosophical Perspectives on Metaphor", pp.105~122 (1981), Univ. of Minnesota Press
- Benveniste,Emile, "일반언어학의 제문제Ⅰ" (1992), 민음사
- Black,Max, "Metaphor, Philosophical Perspectives on Metaphor", pp.63~82 (1981), Univ. of Minnesota Press
- Easthope,Antony, "시와 담론" (1994), 지식산업사
- Evelyne Pere-Christin, "벽" (2005), 눌와
- Hawkes,Terence, "隱喩" (1986), 서울대학교 출판부
- Heidegger,Martin, "存在와 時間" (2001), 까치
- Hrushovski, Benjamin, "Poetic Metaphor and Frames of Reference with Examples from Eiot, Rike, Mayakovsky, Mandelshtam, Pound, Creeley, Amichai, and the New York Times", Poetics Today, 5, pp.5~43 (1984)
- Richards,I.A., "수사학의 철학" (2001), 고려대학교 출판부
- Ricoeur, Paul, "The Metaphorical Process as Cognition, Imagination, and Feeling", Philosophical Perspectives on Metaphor", pp.228~247 (1981), Univ. of Minnesota Press
- Schulz C.N., "實存ㆍ空間ㆍ建築" (2002), 산업도서출판공사