『에스투니가 가요집』(1460∼1463)의 라티니즘에 반영된 카스티야 시학의 15세기 나폴리 왕실로의 전이
Castilian Poetics in the Fifteenth Century Neapolitan Court, As Reflected in the Cancionero de Estúñiga’s Latinism
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This study aims to assess the spread of fifteenth century Spanish poetry to the Aragonese Court of Naples. The poems contained in the Cancionero de Estúñiga share many Castilian stylistic components, such as the first-person narrator and the presence of allegory, classical literary topos, courtly love, and a huge range of decorative and elegant vocabulary, despite the contributors’ differing political motives for producing this work. In particular, I believe that the pattern of latinism that is evident in these poems is further crucial proof of an integrated Castilian poetics and its intact transmission to the Neapolitan Court. I used Gephi 0.9.7. for the visualization of the network of relationships between this latinism and the poets of Cancionero de Estúñiga. This analysis confirms that the poets of the Neapolitan court expressed themselves through the Castilian style of poetry very naturally due to the legitimacy of successive kings of Aragon and these kings’ close political relationships with the royal house of Castile.
Abstract
This study aims to assess the spread of fifteenth century Spanish poetry to the Aragonese Court of Naples. The poems contained in the Cancionero de Estúñiga share many Castilian stylistic components, such as the first-person narrator and the presence of allegory, classical literary topos, courtly love, and a huge range of decorative and elegant vocabulary, despite the contributors’ differing political motives for producing this work. In particular, I believe that the pattern of latinism that is evident in these poems is further crucial proof of an integrated Castilian poetics and its intact transmission to the Neapolitan Court. I used Gephi 0.9.7. for the visualization of the network of relationships between this latinism and the poets of Cancionero de Estúñiga. This analysis confirms that the poets of the Neapolitan court expressed themselves through the Castilian style of poetry very naturally due to the legitimacy of successive kings of Aragon and these kings’ close political relationships with the royal house of Castile.
참고문헌 (32)
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