본문 바로가기
KERD
논문KCI 등재

문화적 관념이 한자 해석에 미치는 원리-『第五游』의 字釋을 통해 본 沈有鎮의 政治意識

A Study of the Interpretations of Chinese Characters of Diwuyou(第五游)

0

조회

0

다운로드

5

인용

0

참고문헌

키워드

초록

This paper analyses how cultural ideas come into play and affect the interpretation on a word’s very complex and layered meaning in Diwuyou(第五游) written by Yujin Sim(沈有鎭) in the Late 18th Century, the earliest systematic etymological Dictionary of Chinese Characters of Joseon period. Diwuyou contains 1552 main entries written in the "regular script"(kaishu) followed by “Seal Script”(xiaozhuan), and provides the interpretation of formation, meaning, structure, pronunciation, semantic change and some supplementary comments for each character. We think all dictionaries seem to provide neutral information, but to arrange and interpret various usages of a word consistently, a set of values and attitudes of their editors cannot help being included. However hard editors of dictionaries try to provide objective information, they cannot be value neutral: dictionaries involve both attitudes and values. The aim of the paper is, thus, to analyses and uncover the hidden consent of dominant ideas and value orientation of Yujin Sim’s age reflected in the interpretations of Chinese characters of Diwuyou. The consent was implicit or hidden because Sim tried to be systematic and consistent in his data collection method concerning brush strocks and make detailed records of origin and history of words. Then, defying the age-old tradition of Shuowenjiezi(說文解字), he defined the meanings of words in 18th century Korean contexts. But by reading Diwuyou more deeply, you can find that the content, methodology, and the very culture of Diwuyou were the product of such a dominant ideology of the age as “neo-confucianism” which drove ruling elites very critical against Buddhist doctrine in the 18th century, an approval of “a divinely sanctioned, hierarchical political and social order as a universal and cosmic order and admiration of the core values of peace, non-violence, harmony and modesty.”

Abstract

This paper analyses how cultural ideas come into play and affect the interpretation on a word’s very complex and layered meaning in Diwuyou(第五游) written by Yujin Sim(沈有鎭) in the Late 18th Century, the earliest systematic etymological Dictionary of Chinese Characters of Joseon period. Diwuyou contains 1552 main entries written in the "regular script"(kaishu) followed by “Seal Script”(xiaozhuan), and provides the interpretation of formation, meaning, structure, pronunciation, semantic change and some supplementary comments for each character. We think all dictionaries seem to provide neutral information, but to arrange and interpret various usages of a word consistently, a set of values and attitudes of their editors cannot help being included. However hard editors of dictionaries try to provide objective information, they cannot be value neutral: dictionaries involve both attitudes and values. The aim of the paper is, thus, to analyses and uncover the hidden consent of dominant ideas and value orientation of Yujin Sim’s age reflected in the interpretations of Chinese characters of Diwuyou. The consent was implicit or hidden because Sim tried to be systematic and consistent in his data collection method concerning brush strocks and make detailed records of origin and history of words. Then, defying the age-old tradition of Shuowenjiezi(說文解字), he defined the meanings of words in 18th century Korean contexts. But by reading Diwuyou more deeply, you can find that the content, methodology, and the very culture of Diwuyou were the product of such a dominant ideology of the age as “neo-confucianism” which drove ruling elites very critical against Buddhist doctrine in the 18th century, an approval of “a divinely sanctioned, hierarchical political and social order as a universal and cosmic order and admiration of the core values of peace, non-violence, harmony and modesty.”

참고문헌 (28)

  1. Leon Wieger, "Caracteres Chinois: Etymologie, Graphics, Lexiques", Imprimerie de Hien-hien(獻縣), ~ (1932)
  2. 古文字詁林編纂委員會, "古文字詁林(12冊)", pp.1999~2005, 上海敎育出版社
  3. 顧野王, "玉篇", ~
  4. 空海, "篆隷萬象名義", ~
  5. 權丙勳, "六書尋源", ~ (1938)
  6. 김근, "한자의 역설" (2009), 삼인
  7. 김근, "한자는 어떻게 중국을 지배했는가" (1999), 민음사
  8. 김병건, "六書와 字形을 이용한 漢字敎育 일고찰", 동방한문학, 43(43), pp.129~166 (2010), 동방한문학회
  9. 金賢美, "耳溪 洪良浩의 六書經緯에 관한 연구", 석사, pp.1999
  10. 미조구치 유조, "中國思想文化事典" (2011), 책과 함께
  11. 朴瑄壽, "說文解字翼徵", ~ (1912)
  12. 白川靜, "字統" (1984), 平凡社
  13. 沈來永, "第五游․跋", 國立中央圖書館(古朝-41-73, 登錄番號 16991)本, ~
  14. 沈有鎭, "第五游", 國立中央圖書館(古朝-41-73, 登錄番號 16991)本, ~
  15. 吳載純, "第五游․跋", 國立中央圖書館(古朝-41-73, 登錄番號 16991)本, ~
  16. 劉復共, "宋元以來俗字譜" (1978), 文海出版社
  17. 于省吾, "甲骨文字詁林" (1996), 中華書局
  18. 이규갑, "『第五游』初探", 중국어문학논집, (49), pp.7~28 (2008), 중국어문학연구회
  19. 이규갑, "『第五游』字形 分析 誤謬考", 중국어문학논집, (56), pp.7~25 (2009), 중국어문학연구회
  20. 藏克和, "中國文字與儒家思想" (1996), 廣西敎育出版社
  21. 臧克和, "漢魏六朝隋唐五代字形表" (2011), 南方日報出版社
  22. 張玉書, "康熙字典", ~
  23. 丁福保, "說文解字詁林" (1983), 鼎文書局
  24. 최영찬, "동양철학과 문자학" (2003), 아카넷
  25. 河永三, "朝鮮時代字書第五游所反映的釋義特徵", 第三屆中日韓(CJK) 漢字文化國際論壇 발표논문 (2011)
  26. 하영삼, "韓國 歷代 ≪說文解字≫ 硏究 綜述", 중국어문학, (56), pp.179~216 (2010), 영남중국어문학회
  27. 하영삼, "한자와 에크리튀르" (2011), 아카넷
  28. 許愼, "說文解字注" (1984), 漢京文化事業公司

관련 논문AI추천

이 간행물의 다른 논문 (21건)