〈취연전〉의 서사구조와 인물 특성의 의미 연구

Abstract

〈Chuiyeon-jeon〉 has often been regarded as a derivative of 〈Jeongeulseon-jeon〉, yet the shift in narrative focus from a male protagonist to a female one raises questions about the relationship between these works. This issue is particularly significant given the unique narrative structure of 〈Chuiyeon-jeon〉, which intertwines two types of familial conflicts typical of domestic novels: the conflict between a stepmother and her stepchildren, and the conflict between a first wife and a concubine. These conflicts are central to the narrative, positioning the protagonist at the heart of the story’s events. Understanding the core conflict structure within a narrative allows for a deeper comprehension of 〈Chuiyeon-jeon〉, as well as its relationship to similar works, including 〈Jeongeulseon-jeon〉. The purpose of this paper is to explore the significance found in the overlap of the two conflicting aspects of domestic novels, beginning with the awareness of 〈Chuiyeon- jeon〉 as a narrative centered on the heroine. It aims to examine the characteristics of characters including the protagonist and to understand the meaning revealed in the overlapping of the two conflict patterns within the domestic novel. Furthermore, it seeks to investigate the aesthetic effects this work had on contemporary readers along with its themes. The methodology involves analyzing the overall narrative with a focus on the actions of characters, examining how these actions reveal character traits, and identifying the narrative principles emerging from the dynamic relationships between characters. Chuiyeon, as the central figure of the narrative, desires an object in the process of problem-solving but remains a powerless presence without the practical ability to obtain it. Instead, she dispatches the original possessor to resolve the issue. In her pursuit of achieving desire, Chuiyeon overcomes crisis through the sacrifice of others. In this process, she exposes a selfish and cold dual-sided nature. This portrayal contrasts sharply with the typical protagonist of domestic novels. Contrarily, characters in opposition to Chuiyeon function not as inherently evil beings but as “anti-subjects” competing for the same objects alongside Chuiyeon. Paradoxically, the original possessors of Chuiyeon are indirectly or directly complicit in the anti-subjects’ plans, revealing their duality. The narrative features eight deaths, with maternal themes underlying the brutal events. Despite the successive deaths, the enduring vitality and the birth of new life prevail. The appeal and affection for 〈Chuiyeon-jeon〉 lie in its portrayal of a new type of character who, grounded in maternal strength, overcomes cruel realities through resilience and a robust will to live. Chuiyeon, as a character, embodies a more realistic figure, being weak yet sometimes cold and selfish, contrasting with the traditionally virtuous and obedient protagonists of domestic novels.