공적시간과 사적시간의 담론 ‒ 영화 “벤자민 버튼의 시간은 거꾸로 흐른다”를 중심으로 ‒
Discussion of Public and Private Hours ‒ Centering on the movie “The curious case of Benjamin Button”(2008) ‒
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Humans yearn to meet with others to overcome their own anxiety, fear, or existential loneliness, and are extremely alert to separation. For this reason, the people have a lot of interest in various works of art based on the theme of meeting and separation. The Curious Case of Benjamin Button (2008), a film adaptation of Scott Fitzgerald's novel, is a collection of dairies of her heroine Daisy's beloved lover, Benjamin Button, and her feelings of separation, reunion, marriage, re-separation, and re-reunion. As a popular narrative, film gives emotional comforts such as nostalgia, serenity, comfort, and relief with a aide-mémoire of past traumas or as a reward for realistic pain. In particular, like the utterance aspect of therapeutic counseling, the descriptive device of recall in movies has a positive value, such as healing the inner wounds of existence and manifesting repressed desires. Daisy's recollection awakens audiences to the fresh, past, foolish, passionate feelings that have been fossilized in the flow of her life. Especially at the scene that Benjamin 's peacefully dying on Daisy' s lap, the audience experiences a blind spot of language and images that have never been experienced or manifested before. In fact, this film is an easy drama that can share the pleasure of a small meeting of men and women with the pain of parting without difficulty. In the story of Benjamin's postcard (letter) and Daisy's diary, the audience is embarrassed and confused because of the difference in emotion and the relativity of parallax. From a narrative point of view, Benjamin's time increases and conversely Daisy's time is exhausted, but from a physical point of view the momentum of their time is the same. As a result, there is a difference of perspective (parallax) in a place where there is no time difference, so the viewer 's mental conflict is resolved by the discovery of a new world which is a blind spot of language and image through dialectical reason. This study is based on the study of the youthful Benjamin, the aging Daisy, the Benjamin to the future, the daisy to the past, and the metaphorical metaphor of the alien Benjamin and the Earthly Daisy to destroy the discursive arrangement of time symbolism, and the disintegration of the terrorism and the codage of the object.
Abstract
Humans yearn to meet with others to overcome their own anxiety, fear, or existential loneliness, and are extremely alert to separation. For this reason, the people have a lot of interest in various works of art based on the theme of meeting and separation. The Curious Case of Benjamin Button (2008), a film adaptation of Scott Fitzgerald's novel, is a collection of dairies of her heroine Daisy's beloved lover, Benjamin Button, and her feelings of separation, reunion, marriage, re-separation, and re-reunion. As a popular narrative, film gives emotional comforts such as nostalgia, serenity, comfort, and relief with a aide-mémoire of past traumas or as a reward for realistic pain. In particular, like the utterance aspect of therapeutic counseling, the descriptive device of recall in movies has a positive value, such as healing the inner wounds of existence and manifesting repressed desires. Daisy's recollection awakens audiences to the fresh, past, foolish, passionate feelings that have been fossilized in the flow of her life. Especially at the scene that Benjamin 's peacefully dying on Daisy' s lap, the audience experiences a blind spot of language and images that have never been experienced or manifested before. In fact, this film is an easy drama that can share the pleasure of a small meeting of men and women with the pain of parting without difficulty. In the story of Benjamin's postcard (letter) and Daisy's diary, the audience is embarrassed and confused because of the difference in emotion and the relativity of parallax. From a narrative point of view, Benjamin's time increases and conversely Daisy's time is exhausted, but from a physical point of view the momentum of their time is the same. As a result, there is a difference of perspective (parallax) in a place where there is no time difference, so the viewer 's mental conflict is resolved by the discovery of a new world which is a blind spot of language and image through dialectical reason. This study is based on the study of the youthful Benjamin, the aging Daisy, the Benjamin to the future, the daisy to the past, and the metaphorical metaphor of the alien Benjamin and the Earthly Daisy to destroy the discursive arrangement of time symbolism, and the disintegration of the terrorism and the codage of the object.
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