5.18 연극의 폭력성 성, 그리고 여성의 재현 <<모란꽃>>과 <<청실홍실>> 분석을 중심으로

Abstract

Unlike any other approaches, "Peony" and "Chungsil Hongsil" are formative description of Gwangju Uprising, 1980 through the theatres using texts. In the formative description, the transformation and content approach method seen in other performances and theatres are changed to metaphorically in trying to restore reality. Each theatre focuses on not only realistic representation of a historical event but also on a women was hurt by the historic event and the problems that the women has.Then, could we say that women are represented as a historic theme through the texts in "Peony" and "Chungsil Hongsil"? The significance found through the texts used in these two theatres is the fact that we could recognize a new awareness through the lives and experiences of the women in the theares. In other words, the women in the theatres are represented into other people, not living in surounding but sharing awareness with men. In "Peont" and "Chungsil Hongsil", there are challenges and changes toward male-centered ideology against typical, fixed and uneqal women's images. However, the limitation is the fact that the theatres describe the image of desirable women as being a good wife and mother, which is a byproduct of patriarchal, as the alternative for treating the wound suffered by these women in the theatres. From the feministic point of view, what's lacking are endeavor and active efforts by these women in the theatres to treat the wound and scarthrough their own talent and personality.