현대시조에 구현된 하이브리드 시편

Abstract

After the 2000s, Sijo literature, passing through the 1990s, began to reflect the contemporary technological reality and respond to life's experiences through literature. As a result, Sijo poetry has evolved with multi-layered structures, changes, and innovations in its form over the years, blending tradition and modernity, and now existing as a contemporary classic. This marks a significant development in literary history, as it guides Sijo towards universal values. Over the past century, it has embraced dominant values and discourses through various formal debates. Furthermore, the emergence of hybrid Sijo representing the 21st- century technology era has opened up new horizons in the landscape of Sijo literature in the 2000s. This paper aims to explore hybrid Sijo that emerged in modern Sijo poetry after the 2000s. Hybrid Sijo, which values tradition and has nurtured its unique culture, serves as a broad expression of contemporary consciousness, emphasizing the challenges and exploration of existence in this era. Moreover, it has managed to coexist by evolving into a sense of solidarity through the continuous homogenization of the nation, presenting a new direction for the progression of modern Sijo. Originally, just as no culture can be preserved or perpetuated in its purest form, hybrid culture is a trend in which tradition and the present blend while moving towards the future. Hybrid Sijo serves as a concept where cultures merge, coexist, transition, and repeat, giving rise to new cultures and pursuing fresh consciousness. It exists as an aesthetic that emerges from the mixing of diverse phenomena, within the context of the temporal implications that contemporary culture participants must not fundamentally overlook in response to changing environments. Modern Sijo after the 2000s, when examined through the lens of hybrid aesthetics, can be considered a contemporary consciousness that continually emerges through the acceptance of tradition and the ongoing evolution of form and content, transcending both time and space. I aim to explore hybrid Sijo poetry in modern Sijo literature that has emerged after the 2000s, with a focus on the poets Back Kyonghee (1967~), Seo Jeonghwa (1977~), and Kim Taekyung (1980~). What they have in common is that they are female poets who made their debut after the 2000s. In this paper, I intend to examine various aspects of the characteristics of hybrid literature, which will be discussed. This examination will also encompass the diversity of their existence, their multifaceted perspectives, and their creation of Sijo influenced by multicultural worldviews. I intend to categorize Sijo within the poems of the Sijo poets under discussion, which embody contemporary characteristics such as hybridity, inclusiveness, intersectionality, and mixing, with the goal of understanding them as reflections of real-life existence. From a discursive perspective, I have analyzed them in terms of civilization and genetics, nomadism and ecology. In this manner, when summarizing the research approach focused on female Sijo poets after the 2000s, we can delineate four key aspects: firstly, through civilizational hybridity as an informative function; secondly, via genetic inclusiveness marked by generative memory; thirdly, by means of nomadic crossbreeding as a form of dialectical thinking; and finally, through ecological blending imbued with a sense of desolation, I aim to explore the realm of hybrid Sijo.