김온경류 동래입춤의 작품분석과 실연자의 미적체험에 관한 연구

Abstract

This study describes the experience of dancing and analyzes its meaning as a performer who has practiced the work of <Dongnae Ipchum(Kim On-gyeong Style)>, the basic dance of Kang Tae-hong (1893-1957). In addition, this study used literature research and interviews along with phenomenological research methods. The following conclusions were drawn from the formal structural analysis. First, the rhythm is played in a loose and rolling manner. Second, the stage movement follows a triangular structure and then returns to the center again. Third, the dance has distinctive movements such as butterfly steps, double steps, looping steps, and misaligned steps. From the phenomenological description of the experience, the following semantic units of aesthetic emotion were derived. It contains excitement, fulfillment, vitality, and calm, which come from pleasure, tension, egolessness, and equanimity respectively. These meanings build excitement gradually through repetition while dancing. Unlike the beginning of the dance, the sense of peace that comes back to the performer at the end of the dance is a brightening sensation.