동양철학 관점에서 본 한국무용 기본춤으로서의 <입춤> 연구 - ‘立’의 해석을 통한 입춤의 의미-

Abstract

Purpose: Ipchum is a basic dance learned at the beginning of the dance. The purpose of the study is to explore the essence of Ipchum from the perspective of Eastern Philosophy and to clarify why it functions as a basic dance. Methods: It focuses on literature research related to Eastern Philosophy-Analects of Confucius, Liji Yueji, University, and Basic Dance and Ipchum. Results: The Analects' "emotion rise in poetry" and "building virtual" were interpreted as stages that established human basics with Confucius' Benevolence before all acts and cultivated a spirit of dealing with dance. "Establish oneself correction in courtesy" and "making merit" were interpreted as basic dances to learn the principles of Korean dance and establish techniques, containing the meaning of Ipchum and laying the foundation for dance techniques. "Be completed in art" and "publicity" that promote oneself contain Ipchum's meaning as a sublimated artwork with individual style and improvisation, and interpreted it as a stage of completing the spirit and technique of dance. Dance art is a humanistic and spiritual culture related to human evolution. Ipchum, a basic dance, contains philosophical implications for human life beyond the realm of dance. Conclusion: I hope this study will serve as an opportunity to reflect on the spirit of Korean traditional dance by digging into the reality of basic dance and the deep meaning contained in our traditional dance. It is hoped that this can lay the foundation for the humanities of dance art, and also contribute to dance education by recalling the importance of basic dance.