실담장의 한국적 수용 양상과 그 의의

Abstract

The Siddhavastu is a rule that reveals the basic principles of grammar related to Sanskrit characters. The Record of Siddhaṃ Characters consist of 18 chapters. A total of 16 syllables such as aㆍāㆍiㆍīㆍuㆍūㆍṛㆍṝㆍḷㆍḹㆍeㆍaiㆍoㆍauㆍaṃㆍ aḥ etc. appearing in Chapter 1, are called Siddhaṃ[vowel sound], and 34 characters such as kaㆍkhaㆍgaㆍghaㆍṅaㆍcaㆍchaㆍjaㆍjhaㆍñaㆍṭaㆍṭhaㆍḍaㆍḍhaㆍṇaㆍ taㆍthaㆍdaㆍdhaㆍnaㆍpaㆍphaㆍbaㆍbhaㆍmaㆍyaㆍraㆍlaㆍvaㆍśaㆍṣaㆍsaㆍ haㆍkṣa are called consonant in siddhaṃ script. In this paper, I looked at how Siddhavastu, which consists of a total of 50 characters, was accepted and developed among Korean Buddhist ritual literature and lay people. Among the Buddhist ritual literature used mainly in the saṃgha, these Siddhavastu were regarded as mantras, among the people of the household, the typical phoneme of Siddhavastu was marked on the amulet, and it was regarded as an auspicious pattern. The reason why Siddhavastu was regarded as a mantra in the Buddhist ritual literature was that it was possible to acquire basic phonological learning for chanting the mantra and the Buddhist symbolism of each phoneme at the same time, the fact that the Sildamjang was marked on the amulet, which was popular among the people of the household, means that the Sildamjang, which was considered an auspicious pattern of Buddhism, was applied to the harmonization of traditional faith and Buddhism due to the underlier and naturalization of Buddhism.