폭력 영화에서 드러나는 윤리적 교착과 실재의 귀환: <다만 악에서 구하소서>, <조커>, <악인전>을 중심으로

Abstract

Ethical poverty and subjective poverty lead us to an ethical deadlock in the midst of making us feel the void of ethics and action, and bring about the return of reality caused by unconscious mental dynamics. This is characterized by the fact that the orientations of the modern discourse of totality and universality are destroyed, and at the same time, fragmented and pluralistic post-modern discourse is dominant. This fragmentation puts the subject of the void to the front based on the fact that the belief in ‘certainty’ has been broken. In other words, it requires the subject to make a gesture toward an heterogeneous future from a homogeneous space. This is the reinterpretation of film discourse by the psychoanalytic subject that creates an liberated practical space. The empirical law of reality and the crack of symbolic law represented by the father's name expose human reality in the form of symptoms. It will guide us to the unconscious world, which has deviated from the realm of meaning, with the possibility of producing positive results.