朴胤源 한시 연구

Abstract

This paper examines the literary views and Cino-Korean poetry of Park Yun-won, a representative moralist of Joseon in the late 18th century. Park Yun-won is the culmination of the Noron(老論) succession between Yi Jae(李縡)-Kim Won-haeng(金元行), a master of moralist in the latter Joseon Dynasty, and is also the uncle of Soo-bin Park, mother of King Sunjo. Considering his academic characteristics, it can be expected that his literary theory or poetry would have insisted on those of a typical Taoist, such as the literary view of Jaedo(載道) theory and the poem of 'Gwanmulchalgi(觀物察己)'. In fact, he emphasized the 'Munyijaedo(文以載道)' from the standpoint that the Tao[道] and the sentence are one, and poetry is more trivial than Tao or prose. However, when we check the reality of his poems, it is difficult to simply accept these claims as they are written. Joseon scholars such as Lee Eon-jeok(李彦迪) accepted Shao Yong(邵雍)'s 'Gwanmulchalgi' poem and recite the process of cultivation into poetry, and like Yi Yi (李珥), they used poetry as a tool for 'Reciting Heart(吟詠性情)'. Park Yoon-Won also consistently reveals 'Gwanmulchalgi' and 'Reciting Heart' through his poems. However, most of Park Yun-won's poems are characterized by 'Gyeonheung(遣興)' rather than the poetic characteristics of these Taoists. It was intended to form poetry without filtration if there was excitement without arranging poetry. In particular, the poems written in a situation that became more difficult after the loss of his wife stand out for their bitterness and sorrow.