컨템포러리 무용에 나타나는 무용수의 역할 변화에 대한 고찰
A study on the change of dancer’s role in contemporary dance
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The purpose of this study is to reveal the change of dancer’s role and the ability required of dancers in contemporary dance by examine contemporary choreographer’s works such as Bausch, P., Khan, A. and Bel, J. Through this study, it was found that the refusal of representation and the blurred boundary between genres, promoted the collapse of the dance techniques as the original and collaboration between various genres. And as a result, it led to changes in the relationship between the choreographer and the dancer as well as the training method of the dancers. In addition, by analyzing data on changes in domestic and foreign dance company’s repertoires and changes in arts support system in Korea, it was possible to find out these led the changes in which diversity coexist. These changes brought about changes of dancer’s role from being a submissive performer for representation to a source of the choreography and collaborator by using singularity and multiplicity. Contemporary choreographers are searching for a new way of presenting body and movements as a facilitator in collaboration with various field rather than creating movements.
Abstract
The purpose of this study is to reveal the change of dancer’s role and the ability required of dancers in contemporary dance by examine contemporary choreographer’s works such as Bausch, P., Khan, A. and Bel, J. Through this study, it was found that the refusal of representation and the blurred boundary between genres, promoted the collapse of the dance techniques as the original and collaboration between various genres. And as a result, it led to changes in the relationship between the choreographer and the dancer as well as the training method of the dancers. In addition, by analyzing data on changes in domestic and foreign dance company’s repertoires and changes in arts support system in Korea, it was possible to find out these led the changes in which diversity coexist. These changes brought about changes of dancer’s role from being a submissive performer for representation to a source of the choreography and collaborator by using singularity and multiplicity. Contemporary choreographers are searching for a new way of presenting body and movements as a facilitator in collaboration with various field rather than creating movements.
참고문헌 (30)
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