자급자족하는 자유주의 아이러니스트의 영화일기: 전통과 이단, 주류와 비주류 사이-난니 모레티 Nanni Moretti

Abstract

One of the most outstanding figures in contemporary world cinema, Nanni Moretti is a film-maker representing Italy. And he is the most important film-maker of Italy, not only for his creation of an utterly unique and modern film style, or his impact on the national cinema industry and his influence on young film-makers, but also for his ability to raise debate, within the world of cinema and also in society at large. These achievements are the result of Moretti’s unusual position of Italian cinema industry. His semi-outsider position has enabled his unique film style and political satire. And due to his position, he could hold the national and international success. Moretti is also famous of his ‘autarchic’ film making. He has his own production company, distribution company and cinema theatre in Rome. Furthermore he held his annual film festival. He has not only made films from his position of outsider, but has also bought into the system, and has in fact bent it to his will and used it on his own will. Another reason Nanni Moretti is a representing Italian cinema is because he succeeds property and tradition of Italian film. We can find heritage of Neorealism and modernism style of Italian cinema in his films. Especially in <Dear diary>, Moretti was respectful toward Roberto Rossellin by using of Rossellin’s <Journey to Italy>, <stromboli> and <Fear>. And He inherits resistance to Fascism, the spirit of neorealism. So his films are political and progressive. Morettil’s film style a is political and satirical comedy. Now he is fighting against Berlusconi, prime minister of Italy, the symbol of fascism of Italy with cinema. To Moretti, cinema is a tool to communicate. Purpose of this study is to analyze the origin of Nanni Moretti’s film style,and at the same time is to consider his stature in Italian cinema industry. These will help to better understand Italian cinema.