현대 이탈리아 내러티브가 그리는 이주민과 문화 지리학 -영화 Saimir를 중심으로-
Cultural Geography and Immgrants represented in Contemporary Italian Narrative: focusing on film <Saimir>
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
The films, <Saimir> and <Quando sei nato non puoi più nasconderti> examined in this paper makes readers ponder on how to treat them in the rapid increase of encountering others in the present-day society. One may give others a wide berth and exclude them out of fear for strangers and sometimes ignore and discriminate others with a sense of superiority on oneself (or own group), not allowing others to take the same position. Even if others’ same status is allowed, one may demand others to assimilate based on the premise of abandoning their original identity and accept the identity of the majority group. Moreover, one may show tolerance by accepting the physical existence of others and allowing them to maintain their original identity. Since tolerance is based on the dispensation of the subject, however, it can always be withdrawn depending on how the subject thinks which makes tolerance very patriarchal and authoritative, and the target of tolerance of such an unstable position. Hospitality refers to the attitude of accepting others’ identity as well as opening up the possibility for the subject’s identity to change by encountering with others. As the number of migrants in the Italian society has exceeded one million, the center and outskirts of the Italian cities have witnessed the rise of new spaces, structures, and systems created by the migrants to Italy. As a result, their migration patterns are changing the cultural identity of Italy. This paper addresses the ‘space’ and ‘otherness’ of Italy where migrants build relationships as well as the limitations and gender issues of the subjects, and concludes with a research on the mobility of ‘physical body’ and ‘space’ beyond the analysis of migrants’ collective experience.
Abstract
The films, <Saimir> and <Quando sei nato non puoi più nasconderti> examined in this paper makes readers ponder on how to treat them in the rapid increase of encountering others in the present-day society. One may give others a wide berth and exclude them out of fear for strangers and sometimes ignore and discriminate others with a sense of superiority on oneself (or own group), not allowing others to take the same position. Even if others’ same status is allowed, one may demand others to assimilate based on the premise of abandoning their original identity and accept the identity of the majority group. Moreover, one may show tolerance by accepting the physical existence of others and allowing them to maintain their original identity. Since tolerance is based on the dispensation of the subject, however, it can always be withdrawn depending on how the subject thinks which makes tolerance very patriarchal and authoritative, and the target of tolerance of such an unstable position. Hospitality refers to the attitude of accepting others’ identity as well as opening up the possibility for the subject’s identity to change by encountering with others. As the number of migrants in the Italian society has exceeded one million, the center and outskirts of the Italian cities have witnessed the rise of new spaces, structures, and systems created by the migrants to Italy. As a result, their migration patterns are changing the cultural identity of Italy. This paper addresses the ‘space’ and ‘otherness’ of Italy where migrants build relationships as well as the limitations and gender issues of the subjects, and concludes with a research on the mobility of ‘physical body’ and ‘space’ beyond the analysis of migrants’ collective experience.
참고문헌 (30)
- 윤용수, "이집트의 아랍⋅이슬람문명 수용 연구－정통 칼리파 시대를 중심으로－", 지중해지역연구, 16(2), pp.1~28 (2014), 지중해지역원[DOI]
- 김애령, "이방인과 환대의 윤리", 현상학과 현대철학, (39), pp.175~205 (2008), 한국현상학회
- 김희정, "환대의 윤리 -마르코 툴리오 조르다노의 영화를 중심으로-", 지중해지역연구, 15(3), pp.27~46 (2013), 지중해지역원[DOI]
- 이은정, "데리다의 시적 환대 －환대의 생성적 아포리아－", 인문과학, (44), pp.91~121 (2009), 인문학연구원
- 니콜 라피에르, "다른 곳을 사유하자" (2007), 푸른 숲
- 미하엘 엡슈테인, "테크네의 귀환", 교수신문, ~ (2008)
- 허경, "푸코" (2019), 그린비
- 최성환, "다문화주의의 이론과 실제" (2010), 경진
- 하름 데 블레이, "문화의 위치" (2009), 천지인
- 호미 바바, "문화의 위치" (2002), 소명출판
- Benhabib, Seyla, "타자의 권리" (2008), 철학과 현실사
- Borradori, Giovanna, "테러시대의 철학: 하버마스, 데리다와 의 대화", pp.86~ (2004), 문학과 지성사
- Brown, Wendy, "관용: 다문화제국의 새로운 통치전략" (2010), 갈무리
- Juergen Habermas, "Multiculturalism: Examining the Politics of Recognition" (1992), Princeton University Press
- Kant, Immanuel, "영원한 평화를 위하여", pp.23~ (1992), 서광사
- 이지영, "이방인, 신, 괴물", pp.116~ (2004), 개마고원
- 김덕영, "(짐멜의)모더니티 읽기" (2005), 새물결출판사
- Bhabha, Homi, "The Location of Culture", pp.1~9 (1994), Routledge
- Chambers, Iain, "Mediterranean Crossings: The Politics of an Interrupted Modernity", pp.17~ (2008), Duke University Press
- De Laurentis, Teresa, "Alice doesn’t: Feminism, Semiotics, Cinema" (1984), Indiana University Press
- Derrida, Jacques, "Of Hospitality", pp.15~16 (2000), Stanford University Press
- Duncan, Derek, "“Loving Geographies”: Queering Straight Migration to Italy", New Cinemas: Journal of Contemporary Film, 6(3) (2008)
- Parati, Graziella, "Migration Italy: The Art of Talking Back in a Destination Culture", pp.25~ (2005), University of Toronto Press
- Pau Obrador Pons, "Cultures of Mass Tourism: Doing the Mediterranean in the Age of Banal Mobilities" (2004), Ashgate Publishing
- Rosello, Mireille, "The Migrant as Guest", pp.6~7 (2001), Stanford University Press
- Cassano, Franco, "Il pensiero meridian", pp.xxiii~ (2005), Laterza
- Mario Fortunato, "L’Immigrato racconta in italiano", L’Unità, ~ (1995)
- Yegenoglu, Meyda, "Liberal Multiculturalism and the Ethics of Hospitality in the Age of Globalization", Postmodern Culture, 13(2), pp.1~ (2003)
- "Saimir on DVD", ~ (2004)
- "Quando sei nato non puoi più nasconderti on DVD", ~ (2005)