이탈리아 네오리얼리즘 영화의 정체성 형성 과정 연구 : 등장과 쇠퇴 배경을 중심으로
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The period between 1945 and 1954 in the history of Italian cinema is dominated by the impact of neorealism, which is properly defined as a moment or a trend in Italian film. Its impact nevertheless has been enormous, not only on Italian film but also on French New Wave cinema, Brazilian Cinema Novo, and films all over the world. Italian neorealism is a style of film characterized by stories set amongst the poor and working class, filmed on location, frequently using nonprofessional actors. talian neorealist films mostly contend with the difficult economical and moral conditions of post-World War II Italy, reflecting the changes in the Italian psyche and the conditions of everyday life. Identity is whatever makes an entity definable and recognizable, in terms of possessing a set of qualities or characteristics that distinguish it from entities of a different type. From the perspective of Cultural Studies, cinema identity does not exist in text itself. It is constructed in contextual circumstances such as political, social, and cultural conditions. Thus, identity is various and variable within changing circumstances. In order to understand Italian neorealism cinema identity, it is crucial to understand those films within political, social, and cultural circumstances. This research seeks to the contextual reasons why Italian neorelist films began and ended. Italian neorealist films could not begin without ideological freedom, educated film makers, and realistic motivation in Comitato di Liberazione Era. When new conservative government planned to reconstruct Italian film industry, neorealist films faced obstacles. National Association for the Cinema and Similar Industries broughtpolicies hostile toward them. After Guilio Andreotti was appointed the chief director, neorealist films became excluded from financial supports for production and export. Censorship system and Catholic church also push for end to Italian neorealism.
Abstract
The period between 1945 and 1954 in the history of Italian cinema is dominated by the impact of neorealism, which is properly defined as a moment or a trend in Italian film. Its impact nevertheless has been enormous, not only on Italian film but also on French New Wave cinema, Brazilian Cinema Novo, and films all over the world. Italian neorealism is a style of film characterized by stories set amongst the poor and working class, filmed on location, frequently using nonprofessional actors. talian neorealist films mostly contend with the difficult economical and moral conditions of post-World War II Italy, reflecting the changes in the Italian psyche and the conditions of everyday life. Identity is whatever makes an entity definable and recognizable, in terms of possessing a set of qualities or characteristics that distinguish it from entities of a different type. From the perspective of Cultural Studies, cinema identity does not exist in text itself. It is constructed in contextual circumstances such as political, social, and cultural conditions. Thus, identity is various and variable within changing circumstances. In order to understand Italian neorealism cinema identity, it is crucial to understand those films within political, social, and cultural circumstances. This research seeks to the contextual reasons why Italian neorelist films began and ended. Italian neorealist films could not begin without ideological freedom, educated film makers, and realistic motivation in Comitato di Liberazione Era. When new conservative government planned to reconstruct Italian film industry, neorealist films faced obstacles. National Association for the Cinema and Similar Industries broughtpolicies hostile toward them. After Guilio Andreotti was appointed the chief director, neorealist films became excluded from financial supports for production and export. Censorship system and Catholic church also push for end to Italian neorealism.
참고문헌 (20)
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