李白对韩国词坛的影响
Li Bai's Influence on Korean Ci Poetry
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传世的李白词作数量上并不算多，但是影响却极深远。李白词以《菩萨蛮》“平林漠漠烟如织”和《忆秦娥》“箫声咽”两首为最知名，李白对韩国文士词作的影响，也主要是这两首词。韩国文士对李白词的学习与效法，“次”与“效”皆有，次是步其原韵，效是仿作，可不用原韵。韩国有的词人词作，学太白词的痕迹非常明显，如成文濬、申光汉、申维翰等的词作，与太白原作在题材、情感、作法上都非常相似，尤其是申光汉《忆秦娥》词的结尾“灞原残照，斜啣陵阙”，更是与太白词的末句“西风残照，汉家陵阙”如出一辙。这些表现相思离别之情的词作，可能也是别有深意和寄托，而且其时令特征也更为明显，中秋、七夕、端午三节都有词来表现。也有的韩国文士，如金恷、林泳、李安讷等人，在学习太白词的同时，扩大词的表现范围，在词中表现边关征戍、怀古伤今、忧国爱民等题材，这些词作虽各有特色，然都沿续了太白原作的感伤情绪。到了朝鲜王朝后期，亦有韩国词人，如李殷相、高圣谦、宋奎濂、郑来侨等，以《忆秦娥》和《菩萨蛮》两调，记述旅途见闻，描绘山水风光，不仅在情感上与太白原作有异，风格上也呈现出或是清新俊逸，或是繁富奇丽的特色，这也可说是太白词在韩国引发的新变。
Abstract
The number of Li Bai's Ci poems handed down is not large, but the influence is very far-reaching. Li Bai's Ci poems are most famous for<Bodhisattva> "The smoke weaving in the plain forest" and<Memories of Qin women> "The flute sobbed". Li Bai's influence on Korean literati's Ci poems is mainly these two works. Korean writers learn and emulate Li Bai's Ci, both "rhyme" and "imitation". The first is to step on its original rhyme.The second is imitate the original work, but the original rhyme is not needed. Some Korean poets' Ci poems have obvious traces of learning Taibai’s Ci. For example, the Ci poems of Cheng WenJun, Shen Guanghan and Shen Weihan are very similar to the original Taibai’s Ci poems in terms of theme, emotion and practice. In particular, the ending of one of Shen Guanghan's Ci is the same as the last sentence of Taibai’s Ci . These Ci poems that express the feeling of lovesickness and parting may also have deep meaning and sustenance, and their seasonal characteristics are more obvious. There are Ci poems in the Mid Autumn Festival, Double Seventh Festival and Dragon Boat Festival. Some Korean Scholars, such as Jin Yu, Lin Yong and Li Anne, while learning Taibai’s Ci, expanded the scope of expression of the Ci, and expressed themes such as frontier war, sentimental ancient, concern for the country and love the people in the CI. Although these CI poems have their own characteristics, they all continued the sentimental mood of Taibai's original poems. In the later period of the Joseon Dynasty, Korean poets, such as Li Yinxiang, Gao Shengqian, Song Kuilin and Zheng Laiqiao, used the two tunes of Li Bai’s Ci poems to describe their journey and scenery. They not only differed from the original Taibai in emotion, but also showed the characteristics of being clean, new and beautiful in style, This can also be said to be a new change caused by Taibai’s poems in Korea.
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