李白의 詞가 朝鮮詞와 漢詩에 미친 影響
The Influence of Li Bai's Ci in The Chosun Dynasty
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Despite of its complexity of tunes, lines and the restriction of fixed characters per each line, "Ci" had been introduced ceaselessly since the period of Tang and Song to Xixia, and to various oriental countries like Japan, Vietnam as one kind of the oriental literature. Sure, having closer relationship with China, Korea had acquired the Chinese "Ci" during the era of Koryo and Chosun and created their own which eventually became one "Genre" of their classical literature. Li Bai was a genius poet, also was the earliest Ci writer in Tang Dynasty. His “Pusaman” and “Yiqine”are called “the origin of Ci-Qu”. He was not only the famous poet in China, was also wellknown in Chosun. So Many of Chosun poet and Ci writer had adopted and imitated Li bai’s Ci, and created their own works. This paper provides a detailed account of the influence of Li Bai's Ci in the poetry and Ci of Chosun Dynasty.
Abstract
Despite of its complexity of tunes, lines and the restriction of fixed characters per each line, "Ci" had been introduced ceaselessly since the period of Tang and Song to Xixia, and to various oriental countries like Japan, Vietnam as one kind of the oriental literature. Sure, having closer relationship with China, Korea had acquired the Chinese "Ci" during the era of Koryo and Chosun and created their own which eventually became one "Genre" of their classical literature. Li Bai was a genius poet, also was the earliest Ci writer in Tang Dynasty. His “Pusaman” and “Yiqine”are called “the origin of Ci-Qu”. He was not only the famous poet in China, was also wellknown in Chosun. So Many of Chosun poet and Ci writer had adopted and imitated Li bai’s Ci, and created their own works. This paper provides a detailed account of the influence of Li Bai's Ci in the poetry and Ci of Chosun Dynasty.
참고문헌 (59)
- 姜再恒, "立齋遺稿" (2012), 민족문화추진위원회
- 權遇, "梅軒集" (2012), 민족문화추진위원회
- 金昌集, "夢窩集" (2012), 민족문화추진위원회
- 金得臣, "柏谷集" (2012), 민족문화추진위원회
- 金萬基, "瑞石集" (2012), 민족문화추진위원회
- 金壽恒, "文谷集" (2012), 민족문화추진위원회
- 金友伋, "秋潭集" (2012), 민족문화추진위원회
- 金益熙, "滄洲遺稿" (2012), 민족문화추진위원회
- 金昌翕, "三淵集" (2012), 민족문화추진위원회
- 南龍翼, "壺谷集" (2012), 민족문화추진위원회
- 南有容, "雷淵集" (2012), 민족문화추진위원회
- 盧景任, "敬菴集" (2012), 민족문화추진위원회
- 唐圭璋, "詞話叢編" (1986), 中華書國
- 柳根, "西坰集" (2012), 민족문화추진위원회
- 柳己洙, "高麗時代의 詞人 및 詞文學의 發展 背景 考察", 中國學硏究, 29 (2004), 중국학연구회
- 柳己洙, "中國詞의 受容과 創作 - 새로 발견된 高麗⦁朝鮮詞를 中心으로", 中國學硏究, 65 (2013), 중국학연구회
- 柳尙運, "約齋集" (2012), 민족문화추진위원회
- 文勵, "龍潭集" (2012), 민족문화추진위원회
- 閔維重, "文貞公遺稿" (2012), 민족문화추진위원회
- 박을수, "韓國時調大事典" (1992), 亞細亞文化社
- 朴齊家, "貞㽔閣集" (2012), 민족문화추진위원회
- 朴昌元, "朴澹翁集" (2012), 민족문화추진위원회
- 徐居正, "四佳集" (2012), 민족문화추진위원회
- 徐居正, "四佳集" (2012), 민족문화추진위원회
- 成近默, "果齋集" (2012), 민족문화추진위원회
- 孫命來, "昌舍集" (2012), 민족문화추진위원회
- 申緯, "警修堂全藁" (2012), 민족문화추진위원회
- 申翊全, "東江遺集" (2012), 민족문화추진위원회
- 申晸, "汾厓遺稿" (2012), 민족문화추진위원회
- 申欽, "象村稿" (2012), 민족문화추진위원회
- 安獻徵, "鷗浦集" (2012), 민족문화추진위원회
- 王奕淸, "詞譜" (1979), 中國書店
- 劉繼才, "李白作‘菩薩蠻’、‘憶秦娥’新證", 遼寧師範大學學報, (5) (1985), 遼寧師範大學
- 兪瑒, "秋潭集" (2012), 민족문화추진위원회
- 睦大欽, "茶山集" (2012), 민족문화추진위원회
- 李觀命, "屛山集" (2012), 민족문화추진위원회
- 李光胤, "瀼西集" (2012), 민족문화추진위원회
- 李圭景, "詩家點燈" (1981), 아세아문화사
- 李端相, "靜觀齋集" (2012), 민족문화추진위원회
- 李殷相, "東里集" (2012), 민족문화추진위원회
- 李翊相, "梅澗集" (2012), 민족문화추진위원회
- 李廷龜, "月沙集" (2012), 민족문화추진위원회
- 李喆輔, "止庵遺稿" (2012), 민족문화추진위원회
- 李夏鎭, "六寓堂遺稿" (2012), 민족문화추진위원회
- 李恒福, "白沙集" (2012), 민족문화추진위원회
- 李滉, "退溪集" (2012), 민족문화추진위원회
- 張璋, "全唐五代詞" (1986), 上海古籍出版社
- 趙備, "桂窩集" (2012), 민족문화추진위원회
- 趙寅永, "雲石遺稿" (2012), 민족문화추진위원회
- 趙泰億, "謙齋集" (2012), 민족문화추진위원회
- 朱祖謀, "彊邨叢書" (1989), 上海書店
- 車柱環, "退溪詞 評說", 退溪學報, (34) (1982), 퇴계학연구원
- 退溪學硏究所, "退溪學資料叢書" (1998), 安東大學校退溪學硏究所
- 何謙鎭, "晦峯先生集", 成均館大學校 所藏本
- 胡應麟, "少室山房筆叢" (1958), 中華書局
- 洪萬宗, "小華詩評" (1995), 國學資料院
- 洪暹, "忍齋集" (2012), 민족문화추진위원회
- 洪翼漢, "花浦遺稿" (2012), 민족문화추진위원회
- 洪柱元, "無何堂遺稿" (2012), 민족문화추진위원회