피나 바우쉬 <Walzer> 중 왈츠 움직임의 특성 연구 - 궁중무용 왈츠와의 비교 분석을 통하여

Abstract

In short, this study is to identify how Pina Bausch translated choreographic component of Court Dance Waltz in her work, <Walzer>. Specifically, movement qualities were analyzed both in Court Dance Waltz and <Walzer>, then compared. For this study, not only audiovisual clips of Court Dance Waltz and <Walzer> were observed but origin of Waltz and characteristics of Pina Bausch’s pieces were researched by using bibliographic reference. To analyze the qualities of movements, Laban Movement Analysis was used which includes 4 categories of Body, Effort, Shape and Space. Male and female dancers pair up in Court Dance Waltz, but in Bausch’s piece, usually big groups of dancers are formed. In terms of the visual element, Court Dance Waltz is monotonous, but in <Walzer>, props and lighting are used in large. Also regarding the audio element, singing, speaking and making noise with props are appeared along with waltz music. Bausch keeps basic principles of steps in Court Ballet Waltz, such as maintaining triple beat verses, having sense of gliding while stepping, and having boundaries of Mid-Reached Kinesphere. However, frequent changes of Effort and simultaneous use of various Body Parts which move toward different directions show that collage technique is applied in movement quality. Using opposite Effort and clash of movement are considered as Grotesque technique. While keeping essential qualities of movement in Court Dance, Pina Bausch used active changes of Effort and body parts which show human feelings dramatically. Using various parts of body parts, Effort, Space, and Shape can create new ways of moving and choreographing.