藝術的 崇拜의 雅會圖- 간송미술관 소장 翁方綱 一派의 <西涯生日圖>

Abstract

In the late 18th century and 19th century of Joseon Dynasty, the perception of the art world greatly widened as diverse art culture, which had emerged when bibliographical study of Chinese classics quickly arose around Qianlong and Jiaqing period of the mid-late Qing Dynasty, were introduced by the scholars who advocated the adoption of Qing culture or else known as Bukhak(the Thoughts for learning Qing) school. Having emerged in late 18th century and early 19th century Beijing amongst scholar-officials of Wong Banggang(Weng Fanggang) school and widely spread and developed even throughout Hanyang in mid-late 19th century with Kim Jeong-Hui's party at its center, the culture of elegant gatherings revering the great ancient art is a classic example of this change. Owned by the Gansong Museum, Painting on Suheh(Xiya)'s birth day commemoration(SuhEhSangIlDo) is a portrayal of the sight of the elegant gathering at the old house of Suheh(Xiya) in Juksudam(Jishuitan), Beijing ordered by Bup Siksun(Fa Shishan) on June 9th 1798 to commemorate Suheh(Xiya) Lee Dongyang(Li Dongyang)'s birth day, a noted premier and a great poet of the Ming Dynasty. It is noteworthy for it is an important artifact which offers a detailed depiction of the very sight of elegant gathering. Although Kim Jeong-hui brought the culture of elegant gatherings revering the great ancient art risen from Wong Banggang(Weng Fanggang) school to Hangyang, unlike the Wong Banggang(Weng Fanggang) school, only the reverence for Dongpa(Dongpo) was avidly adopted and reverence for Suheh(Xiya), however, was only introduced through Kim Jeong-hui's words and collection of his literary works but never directly adopted. But still Bup Siksun(Fa Shishan) a disciple of Wong Banggang(Weng Fanggang) who led the Suheh(Xiya) reverence was repeatedly discussed with great emphasis regarding the portrait of Dongpa(Dongpo) by a disciple of Kim Jeong-hui named Lee Sang-juk and so forth. And also Oh Kyung-suk, both a disciple of Kim Jeong-hui in his latter-years and a distinguished disciple of Lee Sang-juk, had purchased the Painting on Suheh(Xiya)'s memorial day (SuhEhSangIlDo)in Beijing and then became the head of Min Yeong-ik's party and later that of Jeon Hyung-pil's. Min Yeong-ik is the leading successor of Kim Jeong-hui's artistic style and tradition in the art community. This provides not only an opportunity to comprehend Wong Banggang(Wang Fenggang) School's elegant gathering culture of artistic reverence for Suheh(Xiya) Lee Dongyang(Li Dongyang), which has long been overshadowed by the reverence for Dongpa(Dongpo), but also a more diverse approach to understand Kim Jeong-hui's party on Bukhak(the Thoughts for learning Qing) culture. 논문투고일