‘예술’로 나아간 ‘동심’, 그리고 폐쇄된 비극성의 세계-이태준 동화 연구-

Abstract

This paper researches the lee tae jun's fairy tale focused on the style. Until now, lee tae jun's fairy tale has been recognised as a work of just describe the writer's real life and a expression of his consciousness of orphan. This interpretation simply approaches lee tae jun's fairy tale as a immature work written early in his novelist's life. But in fact, lee's fairy tales show impressing treats making a attempt at new style. We can say this is a same context with his trial being confront to the contradiction of real life and modern age. The contents of 'Innocence of child' in lee's fairy tale had a same orientation with his 'art'. the beginning of his literature consciousness that pursuits for 'pureness' and 'innocence' and 'emotion' is being from the his fairy tale. in his early. His works focused on the empathic situation that narrator tried to emotional coincidence with orphan character which has purpose understanding and consent. After that in the early 30's, he actively borrows a style of drama that depends a dialogue. In this case narrator gradually fade out behind the text and a narrative grows week in the other side lyric treat intensified. This all indicate that lee the jun's fairy tale differs from the contemporary fairy tales that overwhelmingly had enlightenment feature. That shows lee tae jun's fairy tale prior to or overcome contemporary fairy tales. B: ut his fairy tale could not go through with tragedy of his age, and was confined by context of his age's tragedy.