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환상과 시간: 토니 모리슨의 『파라다이스』를 중심으로

The Fantasy and Time: Focusing on Toni Morrison’s Paradise

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In Toni Morrison’s novels, fantasy is a fixture in the characters’ reality often enough to be classified as magical realism. Morrison wants readers to change how they understand life and the world, coming head to head with confusion and questions that fantasy conjures up in the text. How is it possible for readers to change the way they live through the fantasy represented in the novels? Morrison uses fantasies, such as mysterious incidents and figures, to visualize the transformation of her characters through the process of rememory. Fantasy ensures readers not only realize the limits of the rigid structure of reality, but also look for the openness which represents an exit from them. Only when the fantasy in the text creates openness in reality can such fantasy be represented through its own meanings. Looking for openness is an active action that makes us take responsibility for our own lives freely and of our own will, even when we are caught in circumstances reduced to the concept of fate. The openness which fantasy creates forms the foundation that creates a new relationship and effect that transcends existing circumstances. To argue for the power of fantasy, this paper justifies the power of time in the rememory process and the realization of time by incorporating concepts from Gilles Deleuze’s virtual reality.

Abstract

In Toni Morrison’s novels, fantasy is a fixture in the characters’ reality often enough to be classified as magical realism. Morrison wants readers to change how they understand life and the world, coming head to head with confusion and questions that fantasy conjures up in the text. How is it possible for readers to change the way they live through the fantasy represented in the novels? Morrison uses fantasies, such as mysterious incidents and figures, to visualize the transformation of her characters through the process of rememory. Fantasy ensures readers not only realize the limits of the rigid structure of reality, but also look for the openness which represents an exit from them. Only when the fantasy in the text creates openness in reality can such fantasy be represented through its own meanings. Looking for openness is an active action that makes us take responsibility for our own lives freely and of our own will, even when we are caught in circumstances reduced to the concept of fate. The openness which fantasy creates forms the foundation that creates a new relationship and effect that transcends existing circumstances. To argue for the power of fantasy, this paper justifies the power of time in the rememory process and the realization of time by incorporating concepts from Gilles Deleuze’s virtual reality.

참고문헌 (24)

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  3. Baillie, Justine, "Toni Morrison and Literary Tradition: The Invention of an Aesthetic" (2013), Bloomsbury
  4. Bogue, Ronald, "Deleuzian Fabulation and the Scars of History" (2010), Edinburgh UP
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  13. 한재환, "제임스 웰든 존슨의 『한때 흑인이었던 남자의 자서전』에 나타난 정체성, 음악, 백인행세", 현대영미소설, 24(2), pp.281~306 (2017), 한국현대영미소설학회[DOI]
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  18. Mellard, James M., "Zizekian Reading: Sex, Politics, and Traversing (the) Fantasy in Toni Morrison’s Paradise", Studies in the Novel, 40(4), pp.466~491 (2008)
  19. Morrison, Toni, "Beloved" (2004), Vintage
  20. Morrison, Toni, "The Bluest Eye" (2007), Vintage
  21. Morrison, Toni, "Paradise" (1999), Plume
  22. Nedaee, Naeem, "Toward an Affective Problematics: A Deleuze-Guattarian Reading of Morality and Friendship in Toni Morrison’s Sula", Atlantis, 39(1), pp.113~131 (2017)
  23. Raynaud, Claudine, "Toni Morrison: Memory and Meaning", pp.66~79 (2014), Jackson:Mississippi UP
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