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토니 모리슨과 미국 흑인문학: ‘미국흑인’이라는 재상상된 공동체의 사명

Toni Morrison and African American Literature: The Mission of the Re-Imagined Community of Black America

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Like, or more than, any other African American fiction writers, Toni Morrison is concerned with the way African Americans have been conceived of as an imagined community and how the African American women’s community can be shaped as a politico-ethical agency in her novels. For a fuller understanding of Morrison’s views of black people and women’s community, I investigate in detail her responses to each case of such significant historical events ranging from the post-Civil Rights period to the so-called postracial era. Then, in order to locate Toni Morrison in broader currents of African American history and thought, I give an overview of the very contemporary criticisms which explore the tensions between the (local) community-based discipline of Black Studies and the transatlantic inquiry of Black Cultural Studies. Back to Morrison’s writings, I argue that the black people Morrison imagines is a ghostly community on the grounds that just as the past haunts the present, so the imagined community of black people serves as a historical reminder of the “something to be done” in American society. Further, drawing on a group of philosophers and theorists, such as Jean-Luc Nancy, Maurice Blanchot, Giorgio Agamben, etc. I also claim that Morrison’s black women’s community features an “inoperative community” and a “coming community” as well.

Abstract

Like, or more than, any other African American fiction writers, Toni Morrison is concerned with the way African Americans have been conceived of as an imagined community and how the African American women’s community can be shaped as a politico-ethical agency in her novels. For a fuller understanding of Morrison’s views of black people and women’s community, I investigate in detail her responses to each case of such significant historical events ranging from the post-Civil Rights period to the so-called postracial era. Then, in order to locate Toni Morrison in broader currents of African American history and thought, I give an overview of the very contemporary criticisms which explore the tensions between the (local) community-based discipline of Black Studies and the transatlantic inquiry of Black Cultural Studies. Back to Morrison’s writings, I argue that the black people Morrison imagines is a ghostly community on the grounds that just as the past haunts the present, so the imagined community of black people serves as a historical reminder of the “something to be done” in American society. Further, drawing on a group of philosophers and theorists, such as Jean-Luc Nancy, Maurice Blanchot, Giorgio Agamben, etc. I also claim that Morrison’s black women’s community features an “inoperative community” and a “coming community” as well.

참고문헌 (21)

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  3. Agamben, Giorgio., "The Coming Community" (1993), U of Minnesota P
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  5. Baker, Houston A. Jr., "Black Studies, Rap, and the Academy" (1993), U of Chicago P
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  7. Boyd, Todd., "The New H. N. I. C.: The Death of Civil Rights and the Reign of Hip Hop" (2003), New York UP
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  10. Ghansah, Rachel Kaadzi., "The Radical Version of Toni Morrison", The New York Times. The New York Times Company, ~ (2015)
  11. Gordon, Avery F., "Ghostly Matters: Haunting and the Sociological Imagination" (2008), U of Minnesota P
  12. Honig, Bonnie., "Interrupted" (2013), Cambridge UP
  13. Jarrett, Gene Andrew., "Representing the Race: A New Political History of African American Literature" (2011), New York UP
  14. Morrison, Toni., "Playing in the Dark: Whiteness and the Literary Imagination" (1993), Vintage
  15. Morrison, Toni., "Introduction: Friday on the Potomac. Race-ing, Justice, En-gendering Power: Essays on Anita Hill, Clarence Thomas, and the Construction of Social Reality", pp.vii~xx (1992), Pantheon
  16. Nancy, Jean-Luc., "The Inoperative Community" (1991), U of Minnesota P
  17. Reed, Adolph Jr., "Introduction. Renewing Black Intellectual History: The Ideological and Material Foundations of African American Thought", pp.vii~xi (2010), Paradigm Publishers
  18. Roberts, Dorothy., "Fatal Invention: How Science, Politics, and Big Business Re-create Race in the Twenty-first Century" (2011), New Press
  19. Warren, Kenneth W., "What Was African American Literature?" (2011), Harvard UP
  20. Žižek, Slavoj., "Melancholy and the Act", Critical Inquiry, 26(4), pp.657~681 (2000)
  21. Žižek, Slavoj., "The Parallax View" (2006), MIT Press

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