축제에 나타난 공연예술의 주체와 객체의 교섭과 신명의 양상

Abstract

The core of Korean festivals is a performing art which has the concept of traditionalism and modernity, identity and variety. The function of traditional performing arts is to give salience to the festival, to boost the power of life ,to raise the community consciousness and to develop the local culture. We can explain 4 points about the relationship between producers and consumers, the subjectivity and the objectivity in performing arts of festivals in Korea. First, producers and consumers of Pungmul which is one of the performing arts are identical. Also, the subjectivity and the objectivity of Pungmul are integrated. It is a handmaid of all the festivals and functions as a way of making people get cheerful. Second, producers and consumers of a masque are also identical. However, it changes the objectivity as the subjectivity. Examples of this performing art are Andong international mask dance festival and Jinju mask dance festival. Third, producers and consumers of exorcism , Pansori, Madangnori and Maim are differentiated. These arts change the objectivity as the subjectivity. Exorcism is realized in Kangreoung Danoje. Pansori is realized as Jeongju Sori Festival and Namwon ChunhyangJe. Madangnori is realized as national folk play festival. Maim is realized as Choonchun Maim fesvtival. Last, producers and consumers of Namsadangnori are separated. This objectifies the objectivity. The example of this performing art is Ansung Baudukii festival. We can get High Spirits when the objectivity and the subjectivity in the performing art is mixed closely each other. High spirits is transmitted to the observers by the performer. Sometimes, Observers' desire about high spirits is transmitted to the performer. In some case, high spirits may be encouraged by mutual sympathy. However, our festival differentiates the subjectivity and the objectivity and objectifies the objectivity because the performing art is becoming bigger, different contents are mixed in our festival. Therefore, the performance which emphasizes showing, formal Gilnori, pulling the observers into the performing art interrupts their high spirits. For this reason, the performing art should be transmitted according to the fundamental features of the performing art explained above.