패러디적 관점에서 본 서곤체와 후서곤체 관계 고찰 — 시의 형식적 특징을 중심으로

Abstract

In this study, we sample the poems of Xikun-Style and Latter Xikun-Style and compare the formal features of them. In type of poetry, it was targeted at all the works that were sampled. In terms of the formal characteristics of poetry, considering the fact that modern-style poetry was mainly composed in the early Northern Song Dynasty and the original poem-Xikun-Style was centered on the poem of Seven-word formal poem, we’ll select the Seven-word formal poem and analyzed three elements of it-level and oblique tones, rhyme and antithesis. The problem of sample count discrepancy was established using a method of converting to percentage for comparison in the study. This study was conducted in two stages. The first stage is the basic work, and the relationship review based on this is the second stage. The first Step focused on sampling and analyzing each type element as originally planned. The type of poetry was analyzed in 250 Xikun-Style poems and Latter Xikun-Style poems―1580 Songqi’s, 217 Yanshu, 293 Xiasong, and 431 Wanggui. The Formal elements of poetry was analyzed in 145 Seven-word poetry of Xikun-Style and 835 Seven-word poetry of Latter Xikun-Style poems―203 Songqi’s, 33 Yanshu, 50 Xiasong, and 149 Wanggui. The second step was the understanding of the concept of parody and the study of the relationship between Xikun-Style and Latter Xikun-Style in terms of parody. Parody is not just imitating or imitating another work, but revealing the problems it has. The “twisting effect” and the “original” itself, which are characteristics of well-known original works that exist and are revealed while imitating them, can be explained as parodies. of Latter Xikun-Style―the type, level and oblique tones, rhyme and antithesis. In this work, many kinds of parody phenomena could be found by comparing the differences in formal features with the Xikun-Style. Through this, it was confirmed that Latter Xikun-Style was able to achieve the effect of intentional imitation to highlight the problems of Xikun-Style, which was socially branded at the time.