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흔들리는 판옵티콘의 눈동자: 『인도로 가는 길』에 드러난 지배 권력의 편집증적 시선과 그 전복의 가능성

Shaking Eyes of Panopticon: Paranoid Gaze of Dominant Power and Possibility of Overthrow Discovered in A Passage to India

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주제분류영어와문학

초록

This paper will analyze the distortions in vision that cause conflicts between the major characters in EM Forster’s novel A Passage to India based on the concept of hybridity and ambivalence introduced by Homi Bhabha and that of the Panopticon introduced by Michel Foucault. By doing so, this paper eventually aims to reveal the limitations of the Western’s traditional way of understanding things based on visibility (ocular-centrism). Moreover, by describing how the characters from the ruling class and the ones from the ruled class try to understand each other based on what they observe and how they fail to do so, it will examine the paranoid anxiety of the rulers who perceived the distortions in themselves and the actual resistance of the ruling class to it.

Abstract

This paper will analyze the distortions in vision that cause conflicts between the major characters in EM Forster’s novel A Passage to India based on the concept of hybridity and ambivalence introduced by Homi Bhabha and that of the Panopticon introduced by Michel Foucault. By doing so, this paper eventually aims to reveal the limitations of the Western’s traditional way of understanding things based on visibility (ocular-centrism). Moreover, by describing how the characters from the ruling class and the ones from the ruled class try to understand each other based on what they observe and how they fail to do so, it will examine the paranoid anxiety of the rulers who perceived the distortions in themselves and the actual resistance of the ruling class to it.

참고문헌 (20)

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  2. 최성만, "역사의 개념에 대하여, 폭력 비판을 위하여, 초현실주의 외", pp.195~ (2009), 도서출판 길
  3. Crary, Jonathan, "Techniques of the Observer" (1990), UP of MIT
  4. Descartes, Rene, "The Philosophical Writings of Descartes Vol.1" (1985), UP of Cambridge
  5. Foucault, Michel, "Discipline and Punish: the Birth of the Prison" (1995), Vintage
  6. 미셀 푸코, "감시와 처벌" (2010), 도서출판 나남
  7. Forster, E. M., "A Passage to India" (2005), Penguin
  8. Hawkins, Hunt, "Forster’s Critique of Imperialism in A Passage to India", South Atlantic Review, 48(1), pp.54~65 (1983)
  9. Jay, Martin, "Downcast Eyes" (1993), UP of California
  10. 김종헌, "탈식민주의의 해체적 문화 이론", 현상과 인식, 28(1), pp.74~93 (2004), 한국인문사회과학회
  11. 김용규, "포스트 민족 시대 혼종과 틈새의 정치학: 호미 바바 읽기", 비평과이론, 10(1), pp.29~58 (2005), 한국비평이론학회
  12. 고부응, "『인도로 가는 길』에서 읽는 포스터의 식민 이데올로기", 인문과학, 71, pp.315~331 (1994), 인문학연구원
  13. Kraniauskas, John, "Hybridity in a Transnational Frame: Latin-Americanist and Post-colonial Perspectives on Cultural Studies", Nepantla: Views from South, 1(1), pp.111~137 (2000)
  14. Kuchta, Todd, "Suburbia, “Ressentiment”, and the End of Empire in A Passage to India", NOVEL: A Forum on Fiction, 36(3), pp.307~329 (2003)
  15. 오은영, "장소의 재현과 서사전략: 키플링의 『킴』과 포스터의 『인도로 가는 길』", 현대영미소설, 18(2), pp.29~53 (2011), 한국현대영미소설학회
  16. 오생근, "감시와 처벌", pp.5~17 (2010), 도서출판 나남
  17. Said, Edward, "Orientalism" (1979), Vintage
  18. Spivak, Gayatri Chakravorty, "Can the Subaltern Speak?:Reflections on the History of an Idea", pp.21~80 (2010), UP of Columbia
  19. 유승, "욕망과 증오의 기이한 결합―어둠의 심장과 인도로 가는 길", 영어영문학 연구, 26(1), pp.229~246 (2000)

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