대상으로서의 수용자와 리얼리즘의 시적 성취 ― 「우리 오빠와 화로」, 「소년공의 노래」, 「낡은 집」을 중심으로

Abstract

In this study, when evaluating the poetic achievement in 'realism poetry', 'audience' was set as the criterion. The artist creates the work considering the audience, because it will determine the tendency of the work. The works of the discussion include Lim Hwa's “My Brother and a Brazier,” Kwon Hwan's “Song of a Factory Boy,” and Lee Yong‐ak's “Old House.” These three works have elements of realism poetry, and the artist's position on the audience is relatively clear. The audience appearing in Lim Hwa's "My Brother and a Brazier" was a romantic revolutionary comrade, revealing the sentimental content of the revolution rather than mentioning concrete reality. Kwon Hwan, who was a member of the same KAPF, set the 'workers‐peasants' as the audience in terms of 'propaganda‐agitation'. In the “Song of a Factory Boy,” therefore, it was shown that there was a greater reliance on cries for the struggle than the symbolic or figurative device of the parable. However, it was easily expressed so that the audience would understand it well. Lee Yong‐ak's "Old House" considers the 'art readers'. Therefore, in this poem, the theme that the artist wants to express is well combined with poetic devices and highly drawn with high work quality. The poetic achievement through poetic technique shows that it depends on the artist's consideration of the audience. The 'audience' as a criterion of poetic achievement of realism will be meaningful in that it secures the active position of the audience and enlarges the way of discussing the poetic achievement of realism.