한국 현대 리얼리즘 시의 비동일성 연구

Abstract

In this study, I’d like to focus on differences of principle of writing poetry, which target is a realism poetry in modern Korea throughout 1950’s and 1960’s. It has been usually known that the realism in poetry represents confident tone and identification. The identification in realism poetry assumes that the past and the present, the self and the world, and the writers and the readers are intimately related to each other. The purpose of this thesis is to find non-intentional and temporary characteristics in inevitable but general aspects of identification that the realism poetry represents. It is called disidentification. This study is premised when reading with focused on trivial, partial and altered base. It will be reviewed here that the features of disidentified and disintegrated speaking of the literature in 1950’s and 1960’s which had been formed under the influence of modernism. It would make improvement of the discussion about realism poetry and it could make it able to translate the accomplishments in literature of 1950’s and 1960’s. Also, we can learn about the new factor in modern poetry.