Un ejemplo de la emulación literaria: el caso de la Segunda Celestina(1534) de Feliciano de Silva
An Example of the Literary Emulation: The Case of the Segunda Celestina(1534) of Feliciano de Silva
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
The great popularity of La Celestina soon causes enormous proliferation of various forms of imitation that begin to appear from 1513. Among diverse types of imitation of La Celestina, the Segunda Celestina of Feliciano de Silva holds a special place because it created a new form of imitation which may be called as “Continuation” or “Cyclic Literature.” Silva reconstructs the world created by Rojas through the resurrection of Celestina appropriating the characters associated with her and her memories of events in La Celestina. This memory in the Segunda Celestina mainly serves to justify the cyclical link between the two works and helps to solve the unfinished episodes in La Celestina. It also functions as a source of experience and a lesson, with which the characters behave in order to avoid disaster. This brings the modification of the structural framework and the drastic change in the ending of the work. Through this structuralization, Silva legitimizes his work as a true continuation of La Celestina. At the same time, Silva tries to create his own literary world within the structural framework built by Rojas. With the introduction of the double intrigue he intensifies the readers' interest in the work and converts Celestina into a comic figure. In addition, by introducing the secret marriage, Silva distorts Rojas’ literary world which is filled with pessimism and gives a challenge against the ideology of the author of La Celestina. This defiant attitude of Silva will be followed up by later continuators.
Abstract
The great popularity of La Celestina soon causes enormous proliferation of various forms of imitation that begin to appear from 1513. Among diverse types of imitation of La Celestina, the Segunda Celestina of Feliciano de Silva holds a special place because it created a new form of imitation which may be called as “Continuation” or “Cyclic Literature.” Silva reconstructs the world created by Rojas through the resurrection of Celestina appropriating the characters associated with her and her memories of events in La Celestina. This memory in the Segunda Celestina mainly serves to justify the cyclical link between the two works and helps to solve the unfinished episodes in La Celestina. It also functions as a source of experience and a lesson, with which the characters behave in order to avoid disaster. This brings the modification of the structural framework and the drastic change in the ending of the work. Through this structuralization, Silva legitimizes his work as a true continuation of La Celestina. At the same time, Silva tries to create his own literary world within the structural framework built by Rojas. With the introduction of the double intrigue he intensifies the readers' interest in the work and converts Celestina into a comic figure. In addition, by introducing the secret marriage, Silva distorts Rojas’ literary world which is filled with pessimism and gives a challenge against the ideology of the author of La Celestina. This defiant attitude of Silva will be followed up by later continuators.
참고문헌 (27)
- Baranda, Consolación, "Consolación Baranda" (1988), Cátedra
- Baranda, Consolación, "De Celestinas : problemas metodológicos", Cel, 16(2), pp.3~32 (1992)
- Baranda, Consolación, "Orígenes de la novela: estudios", pp.407~527 (2007), Servicio de Publicaciones de la Universidad de Cantabria
- Blanco, Emilio, "Celestina: recepción y herencia de un mito literario", pp.17~49 (2001), Universidad de Extremadura
- Cervantes, Miguel de, "Instituto Cervantes" (2004), Círculo de lectores
- Chevalier, Maxime, "Lectura y lectores en la España del siglo XVI y XVII" (1976), Turner
- 정동희, "Ciceronianismo y el concepto de la imitación literaria en el Renacimiento español", 이베로아메리카 연구, 26(3), pp.289~315 (2015), 라틴아메리카연구소
- 정동희, "Influencia de la doctrina donatiana en la preceptiva dramática española de la primera mitad del siglo XVI - enfocado en los paratextos de las obras dramáticas", 인문논총, 73(1), pp.271~306 (2016), 인문학연구원
- Esteban Martín, "Huellas de Celestina en La Tercera Celestina de Gaspar Gómez de Toledo", Cel, 11(2), pp.3~19 (1987)
- Esteban Martín, "Feliciano de Silva en el ciclo celestinesco", La Corónica, 20(2), pp.42~47 (1991)
- Genette, Gérard, "Celia Fernández Prieto" (1989), Taurus
- Gómez de Toledo, Gaspar, "Tercera parte de la tragicomedia de Celestina" (1973), University of Pennsylvania Press
- Hurtado de Mendoza, Diego, "Sales españolas o agudeza del ingenio nacional" (1964), Atlas
- Lida de Malkiel, "La originalidad artística de la Celestina" (1970), EUDEBA
- Márquez Villanueva, Francisco, "La Celestina as Hiapano-Semitic Anthropology", Revue de Littérature Comparée, 61, pp.425~456 (1987)
- Menéndez Pelayo, Marcelino, "Orígenes de la novela, Vol 4" (1961), CSIC
- Penny, Clara Louisa, "The Book Called ‘Celestina’ in the Library of the Hispanic Society of America" (1954), Hispanic Society of America
- Pérez Priego, "La Celestina y el teatro del siglo XVI", Epos, 7, pp.291~311 (1991)
- Rojas, Fernando de, "La Celestina. Tragicomedia de Calisto y Melibea" (2000), Crítica
- Ruiz de Conde, Justina, "El amor y el matrimonio secreto en los libros de Caballerías" (1948), Aguilar
- Silva, Feliciano de, "Segunda Celestina" (1988), Cátedra
- Simón Díaz, José, "La literatura medieval castellana y sus ediciones españolas de 1501 a 1560", El libro antiguo español: Actas del Primer Coloquio Internacional, Salamanca: Ediciones Universidad de Salamanca; Madrid: Biblioteca Nacional de Madrid, Sociedad Española de Historia del Libro, pp.371~396 (1988)
- Snow, Joseph T, "Hacia una historia de la recepción de Celestina : 1499-1822", Cel, 21, pp.115~172 (1977)
- Vélez-Sainz, Julio, "Hacia la construcción del gracioso : Carnaval y metateatralidad en los pastores de Bartolomé Torres Naharro", Tejuelo, 6, pp.33~43 (2009)
- Villegas Selvago, Alonso de, "Comedia llamada Selvagia" (1873), Rivadeneyra
- Whinnom, Keith, "The problem of the ‘best-seller’ in Spanish Golden-Age literature", BHS, 55(3), pp.189~198 (1980)
- Whinnom, Keith, "Academia Literaria Renacentista V: Literatura en la época del Emperador", pp.119~130 (1988), Universidad de Salamanca