Saving Orinda’s Posthumous Reputation: Paratexts Guiding Away from Lesbian Reading of Katherine Philips’s Poems (1667)
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Drawing attention to Katherine Philips, recently reevaluated as one of the most famous poetesses in the early modern England, this essay examines the roles of the paratexts included in Philips’s Poems (1667) edited by Sir Charles Cotterell, one of her coterie members, after her death. Unlike the 1664 edition of her poems pirated without Philips’s consent, the 1667 edition includes significantly more poems along with a number of the paratexts including seven commendatory poems mostly contributed by prominent Royalist writers Philips had maintained friendship from the English Interregnum. Applying Gérard Genette’s conception of a paratext, which “works as a vital, effective impetus to lead readers’ reception of the poetess and her poems in a particular direction,” this essay argue that the paratexts in the 1667 edition guide the reader away from an overtly lesbian reading of Philips’s poems, while the absence of such materials might well lead one “toward” such a reading.
Abstract
Drawing attention to Katherine Philips, recently reevaluated as one of the most famous poetesses in the early modern England, this essay examines the roles of the paratexts included in Philips’s Poems (1667) edited by Sir Charles Cotterell, one of her coterie members, after her death. Unlike the 1664 edition of her poems pirated without Philips’s consent, the 1667 edition includes significantly more poems along with a number of the paratexts including seven commendatory poems mostly contributed by prominent Royalist writers Philips had maintained friendship from the English Interregnum. Applying Gérard Genette’s conception of a paratext, which “works as a vital, effective impetus to lead readers’ reception of the poetess and her poems in a particular direction,” this essay argue that the paratexts in the 1667 edition guide the reader away from an overtly lesbian reading of Philips’s poems, while the absence of such materials might well lead one “toward” such a reading.
참고문헌 (20)
- Andreadis, Harriette, "Sappho in Early Modern England: Female Same-Sex Literary Erotics 1550-1714" (2001), U of Chicago P
- Butler, John, "The Life of Katherine Philips", Luminarium 15 Apr., ~ (2003)
- Genette, Gérard., "Paratexts: Thresholds of Interpretation" (1997), Cambridge UP
- Gray, Catharine, "Women Writers and Public Debate in 17th-Century Britain" (2007), Macmillan
- Henges, Hilary, "Authorship, Friendship, and Forms of Publication in Katherine Philips", SEL, 25(3), pp.517~541 (2012)
- Limbert, Claudia, "The Poetry of Katherine Philips: Holographs, Manuscripts, and Early Printed Texts", Philological Quarterly, 70(2), pp.181~198 (1991)
- Mermin, Dorothy, "Women Becoming Poets: Katherine Philips, Aphra Behn, Anne Finch", ELH, 57(2), pp.335~356 (1990)
- Moody, Ellen, "Orinda, Rosania, Lucasia et aliae: Towards a New Edition of the Works of Katherine Philips", Philological Quarterly, 66(3), pp.325~354 (1987)
- Philips, Katherine, "Letters from Orinda to Poliarchus", W. B
- Philips, Katherine, "Poems", J. M.
- Philips, Katherine, "Poems", Marriott Rich
- Reynolds, Myra, "The Learned Lady in England 1650-1760" (1920), Houghton Mifflin Company
- Russell, Anne, "Katherine Philips as Political Playwright: ‘The Songs Between the Acts’ in Pompey", Comparative Drama, 44(3), pp.299~323 (2010)
- Smith, Helen, "Renaissance Paratexts" (2011), Cambridge UP
- Sours, Philip Webster, "The Matchless Orinda" (1931), Harvard UP
- Sprat, Thomas, "History of the Royal Society of London"
- Stiebel, Arlene, "Subversive Sexuality: Masking the Erotic in Poems by Katherine Philips and Aphra Behn, In Renaissance Discourses of Desire", pp.223~236 (1993), U of Missouri P
- Swaim, Kathleen, "Matching the ‘Matchless Orinda’ to Her Times, In 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era", pp.77~110 (1997), AMS
- Royston, , 1657
- Thomas, Patrick, "Katherine Philips (‘Orinda’)" (1988), U of Wales P
