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The Mutual Poet-Reader Relationship in The First Part of The Countess of Montgomery’s Urania

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This paper examines how Lady Mary Wroth explores the need for a stable female literary circle between female writers and readers in The First Part of The Countess of Montgomery’s Urania through her construction of female identity in terms of the reciprocal poet-reader relationship between Pamphilia and Antissia. By investigating the ways in which sharing poetry between two female characters, who compete for the same male’s love, underpin their aesthetic similarity, and deepen their mental and physical intimacy based on mutual understanding, this paper argues that Antissia and Pamphilia’s circle helps to expand their own identity from the perspective of an ideal friendship beyond the framework of heterosexual love. By exploring the women’s intimate bond in homoerotic and maternal relationships, Wroth constructs a new image of women who develop their subjectivity based on solidarity, mutual compassion, and understanding, instead of being isolated, self-harming, anxious, and angry.

Abstract

This paper examines how Lady Mary Wroth explores the need for a stable female literary circle between female writers and readers in The First Part of The Countess of Montgomery’s Urania through her construction of female identity in terms of the reciprocal poet-reader relationship between Pamphilia and Antissia. By investigating the ways in which sharing poetry between two female characters, who compete for the same male’s love, underpin their aesthetic similarity, and deepen their mental and physical intimacy based on mutual understanding, this paper argues that Antissia and Pamphilia’s circle helps to expand their own identity from the perspective of an ideal friendship beyond the framework of heterosexual love. By exploring the women’s intimate bond in homoerotic and maternal relationships, Wroth constructs a new image of women who develop their subjectivity based on solidarity, mutual compassion, and understanding, instead of being isolated, self-harming, anxious, and angry.

참고문헌 (13)

  1. Andrea, Bernadette, "Pamphilia’s Cabinet : Gendered Authorship and Empire in Lady Mary Wroth’s Urania", ELH, 68(2), pp.335~358 (2001)
  2. Beilin, Elaine V., "Redeeming Eve : Women Writers of the English Renaissance" (2014), Princeton UP
  3. Homer. The Iliad, "Translated by Richmond Lattimore" (1951), U of Chicago P
  4. Lewalski, Barbara Kiefer, "Barbara Kiefer. Writing Women in Jacobean England" (1993), Harvard UP
  5. Marotti, Arthur F., "‘Love Is Not Love’ : Elizabethan Sonnet Sequences and the Social Order", ELH, 49(2), pp.396~428 (1982)
  6. Masten, Jeff, "Circulation, Gender, and Subjectivity in Wroth’s Sonnets", pp.67~87, N. Miller and Waller
  7. Miller, Jacqueline T., "The Passion Signified : Imitation and the Construction of Emotions in Sidney and Wroth", Criticism, 43(4), pp.407~421 (2001)
  8. Miller, Naomi J., "Engendering Discourse: Women’s Voice in Wroth’s Urania and Shakespeare’s Plays", pp.154~172, N. Miller and Waller
  9. Miller, Naomi J., "‘Not much to be marked’ : Narrative of the Woman’s Part in Lady Mary Wroth’s Urania", SEL, 29(1), pp.121~137 (1989)
  10. Miller, Naomi J., "Reading Mary Wroth" (1991), U of Tennessee P
  11. Miller, Shannon, "Textual Crimes and Punishment in Mary Wroth’s Urania", Journal of Medieval and Early Modern Studies, 35(2), pp.385~427 (2005)
  12. Price, Bronwen, "A Companion to Early Modern Women’s Writing", pp.282~302 (2002), Wiley-Blackwell
  13. Wroth, Lady Mary, "The First Part of the Countess of Montgomery’s Urania" (1995), Center for Medieval and Early Renaissance Studies at State U of New York at Binghamton

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