洪大容燕行一行與清代文人交流詩文的創作、改編樣相考察

Abstract

This study focused on the creation and format of poetry works that Hong Da Rong and his Yeon Hang(燕行) group exchanged directly with Qing's scholars in Beijing, and the reorganization of related poetry works in the process of editing them separately. Hong Da Rong arrived in Beijing in February 1766 and frequently met with three scholars from Hangzhou, China, to engage in scholarly exchanges through poetries and letters. The poetry that Hong Da Rong and his group interacted with these Chinese scholars was called the the poetry of Changhe(唱和詩), the poetry of the subject with pictures(題畫詩), the natural poetry(詠物詩), the poetry of JiJu(集句詩), or letters and writings. most of the poems were created with mortar and verse. Hong Da Rong and his Yeon Hang(燕行) group returned to Chosun and edited the manuscripts of the exchange poems into various literature, including the book of exchange letters between him and Qing's scholars, the re-edited version of the Ganjingfubian(乾凈附編) and Ganjinghoubian(乾凈後編), and the works of poetry kept by Qing's scholars Yan Cheng(嚴誠), were edited as Rixia tijinji(日下題襟集) by Zhu Wen Zao(朱文藻), who was a friend. These texts were re-modified and edited in their respective reorganizations, for instance, there were many aspects to the title, correction, deletion, and extension of the phrase. This study focused on identifying the specific contents and forms of Hong Da Rong's group who had the meeting with Qing's scholars in Beijing and interacting directly with them, and the text of the works interacted with these scholars has an academic value that allows them to identify various aspects that have changed in the process of proceeding from the original to the original. Therefore, this study offers as valuable data for future research on Hong Da Rong and Qing Dynasty's literatures and academic fields.