메타양식으로서의 드라마와 미술: 사무엘 베켓의 극과 벨라스케스의 그림을 중심으로
Meta-drama and Meta-painting: Focusing on the Works of Samuel Beckett and Diego Velázquez
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This thesis examines how meta-modes can be commonly applied to drama and painting, especially in the works of Samuel Beckett and Velázquez. Several essential meta-dramatic or meta-artistic qualities are summed up as theatrum mundi, play-within-play (painting-within-painting), self-reflexivity, and mise-en-abyme. In Beckett’s Waiting for Godot and Endgame, the structure of the play reflects the play itself, its protagonists sing a song or tell a story that repeats endlessly, and the act of waiting or story-telling reminds the audience of the process how a play itself is made, all of which serve as successful meta-dramatic effects. These meta-dramatic approaches are proven as very effective keys to analyzing the paintings of Velázquez. The baroque artist utilizes a mirror as mise-en-abyme and intertextuality to strengthen his theme in “Venus at Her Mirror” and in “The Spinners”, finally completing his meta-artistic premise, theatrum mundi in “Las Leminas.”
Abstract
This thesis examines how meta-modes can be commonly applied to drama and painting, especially in the works of Samuel Beckett and Velázquez. Several essential meta-dramatic or meta-artistic qualities are summed up as theatrum mundi, play-within-play (painting-within-painting), self-reflexivity, and mise-en-abyme. In Beckett’s Waiting for Godot and Endgame, the structure of the play reflects the play itself, its protagonists sing a song or tell a story that repeats endlessly, and the act of waiting or story-telling reminds the audience of the process how a play itself is made, all of which serve as successful meta-dramatic effects. These meta-dramatic approaches are proven as very effective keys to analyzing the paintings of Velázquez. The baroque artist utilizes a mirror as mise-en-abyme and intertextuality to strengthen his theme in “Venus at Her Mirror” and in “The Spinners”, finally completing his meta-artistic premise, theatrum mundi in “Las Leminas.”
참고문헌 (17)
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