문집 소재 조선후기 민요자료에 나타난 민요의 통시적 양상

Abstract

In this thesis I aim at researching the historical aspect of folksong in the late Chosun Dynasty through the folksog-materials in the collecting of works. The results as follow. The kind of folksong : In seventeen century, the kinds of folksong are bolibegi-nore(보리베기 노래)․bolitajak-nore(보리타작 노래)․bangajjihgi-nore(방아찧기 노래)․woodman´s song. In eighteen century, the kinds of folksong are bolibegi-nore․bolitajak-nore․bangajjihgi-nore․woodman´s song․byeobegi-nore(벼베기 노래)․byeotagak-nore(벼타작 노래)․monaegi-nore(모내기 노래)․gimmegi-nore(김매기 노래). In nineteen century, the kinds of folksong are bolitajak-nore․bangajjihgi-nore․woodman´s song․byeobegi-nore․byeotagak-nore․monaegi-nore․gimmegi-nore․namulkegi-nore(나물캐기 노래). The attitude of accepting folksong : In seventeen century, a man of letters takes a negative attitude by creating the speaker of a farmer in partial kinds of folksong. In eighteen century, a man of letters takes a positive attitude by creating the speaker of a farmer in most kinds of folksong and reappearing song performance and exhibiting the scene of farm work. In nineteen century, a man of letters takes a more positive attitude by classifying the folksong in partial. The historical aspect of <sanyuhwa(산유화)> : In seventeen century, <sanyuhwa> is sung as song in farm work. In eighteen century and nineteen century, <sanyuhwa> is sung as song in farm work and monaegi-nore․woodman´s song․namulkegi-nore.